A picture universally recognized, endlessly scrutinized and described, incessantly copied, adapted, lampooned: does Leonardo's near-ruined Last Supper still offer anything new to be seen or to be sai
Leo Steinberg’s classic Other Criteria comprises eighteen essays on topics ranging from “Contemporary Art and the Plight of Its Public” and the “flatbed picture plane” t
The second edition of The Sexuality of Christ in Renaissance Art and in Modern Oblivion - doubled in size by the addition of a "Retrospect" - expands the now classic original text in three directions.
Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays an
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies.
In his insightful and engrossing lecture, Leo Steinberg surveys and critiques the work of Robert Rauschenberg, one of the great American post-war artists. He also discusses his own experience as a cri
