滿額折
How to Read El Pato Pascual ― Disney Latin America and Latin America Disney
- ISBN13：9781911164722
- 出版社：Black Dog Pub Ltd
- 作者：Kimberli Meyer; Jesse Lerner (EDT); Rub幯 Ortiz-torres
- 裝訂／頁數：精裝／304頁
- 規格：31.1cm*22.9cm*2.5cm (高/寬/厚)
- 出版日：2017/11/28
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商品簡介
With text in both English and Spanish
Drawing upon the reach of one of the world’s largest production companies, How to Read El Pato Pascual explores the prevalent presence of the Walt Disney Company within Latin America.
Examined through artworks spanning painting, photography, graphic work, drawing, sculpture, and video, as well as folk art, handcrafts and other vernacular objects, the book considers Disney’s engagement within Latin America, that extends from Donald Duck’s first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright The Day of the Dead.
The reach and influence of Disney is also viewed through a series of commissioned essays, with themes including “Disney, Marx and Labor” and “he Politics of Appropriations”. How to Read El Pato Pascual also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism.
The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Rubén Ortiz-Torres, amongst others.
Drawing upon the reach of one of the world’s largest production companies, How to Read El Pato Pascual explores the prevalent presence of the Walt Disney Company within Latin America.
Examined through artworks spanning painting, photography, graphic work, drawing, sculpture, and video, as well as folk art, handcrafts and other vernacular objects, the book considers Disney’s engagement within Latin America, that extends from Donald Duck’s first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright The Day of the Dead.
The reach and influence of Disney is also viewed through a series of commissioned essays, with themes including “Disney, Marx and Labor” and “he Politics of Appropriations”. How to Read El Pato Pascual also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism.
The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Rubén Ortiz-Torres, amongst others.
作者簡介
Kimberli Meyer: Kimberli Meyer is director of the University Art Museum (UAM) at California State University, Long Beach (CSULB). She was previously director of the MAK Centre in West Hollywood.
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