The Body of Raphaelle Peale ― Still Life and Selfhood, 1812-1824

"This book is mind-blowing. Nemerov is a groundbreaking thinker in his field."--John Wilmerding, Princeton University

"This is a book for all serious Americanists."--Jay Fliegelman, author of Declaring Independence

"Each haunting and delicately wrought canvas expands as Nemerov writes about it, so that his interpretive work both mirrors and supplements the wondrous intensity of the paintings themselves."--Ellen Handler Spitz, Museums of the Mind

"Underneath their apparent simplicity, Raphaelle Peale's still lifes glow mysteriously in the dark light of their making. Peale transformed the common items of the early-nineteenth-century kitchen and market into explorations of the American unconscious. Now, writing as coolly and lucidly as Peale painted, Alexander Nemerov has unpeeled those still lifes in a tour de force of formalistic analysis. Through close interrogation of these small, hermetic images, Nemerov's book reveals the whole world of early America, in the process bringing us as close as possible to the genius of Raphaelle Peale."--David C. Ward, National Portrait Gallery, Smithsonian Institution.

"This is a dazzling study, lively and imaginative, of an important body of work. Nemerov's novel arguments regarding still life in general and Raphaelle Peale in particular reveal much about the art, the man, and the times. It is a thoughtful and provocative book, certain to generate interest and debate. "--Charles C. Eldredge, Hall Distinguished Professor of American Art and Culture, University of Kansas

"A triumph of interpretation! Not since Michael Fried's groundbreaking account of Thomas Eakins has a critic so reimagined the very terms by which we see painting. Nemerov's account singlehandedly catapults a painter we had previously considered to be interesting, but minor, into the forefront of discussions about American art during the early National Period. The Body of Raphaelle Peale will no doubt spark the beginning of an exciting revival of scholarship in American Romantic painting."--Bryan J. Wolf, author of Romantic Re-Vision

Alexander Nemerov is Vincent Scully Professor of the History of Art at Yale University and the author of Frederic Remington and Turn-of-the-Century America (1995).