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商品簡介
1840年以后中西文化大碰撞的試金石和顯影劑，而1911年的辛亥革命正是這次大碰撞過程中最關鍵的節點。 《堪輿(被遺忘的中國式背景)》由丁援編著，從文化研究的視角審視堪輿學在古代中國的發展和近代以來的衰落，重點探究了作為中國建筑背景的堪輿在中西文化碰撞過程中“被遺忘”的原因。
目次
Preface中西比較視野下城市規劃與文化遺產保護的新思維
——帶特萊特·卡麥亞教授訪談錄
1 INTRODUCTION
1．1 Problem Statement
1．2 Research Objectives
1．3 Methodology and Bibliographical Sources
1．4 Organization of Research
2 THE DEVELOPING CONCEPT OF WORLD HERlTAGE
AND THE DEVELOPED DANGER OF ORAL ＆ INTANGIBLE HERITAGE
2．1 A Brief Introduction to World Heritage Convention
2．2 The Development of the World Heritage Project
2．2．1 From tangible to intangible heritage
2．2．2 Changes of selection criteria
2．3 UNESCO’S Definition and Criteria of Oral and Intangible Heritage of Mankind
2．4 The Changes of Cultural Identity and the Danger of Oral and Intangible Heritage
2．4．1 Cultural identity and oral＆intangible heritage
2．4．2 Cultural identity and globalization
Enclosure
3 WHAT IS KANYU(Feng-shui)？
3．1 Definitions of Kanyu
3．2 The History and Development of Kanyu
3．2．1 Embryonic stage(B．C．13th一B．C．3rd一Century)
3．2．2 Perfecting stage(B．C．3 rd--6m Century)
3．2．3 Mature stage(7th--12m Century)
3．2．4 Prevailing stage(13th—19th Century)
3．2．5 Declining stage (20th Century)
3．3 The Theories of Kanyu
3．3．1 The book of Change
3．3．2 Yin·yang and 5 Elements(5 agents)
3．3．3 The premises and terms of Kanyu
3．3．4 Two Main Categories of Kanyu
3．4 Microcosmic Environment and the Principle of Balance
3．4．1 Four spiritual animals
3．4．2 The timing in Kanyu
3．4．3 Modification
3．5 Justification of Kanyu Principles by Modern Science and Technology
3．5．1 Principle of integrity
3．5．2 Principle of“Yin Di Zhi Yi”(Adoption of architectural measures suitable for different natural surroundings)
3．5．3 Principle of“Yi Shan Bang Shui”r attachment to mountainous terrains and vicinity to water sources)
3．5．4 Principle of geological and hydrological preference
3．5．5 Principle of“Zuo Bei Chao Nan”f sitting north and facing south)
3．5．6 Principle of eclecticism
3．6 The Forbidden City：the Application of Kanyu in World Heritage List
3．6．1 Kanyu and palace names
3．6．2 Application of Yin—yang and five elements
4 WHY IS KANYU(Feng-shui)BEING FORGOTTEN？
4．1 1840--1899：Debate on Chinese and Western Cultures
4．2 1900--1949：New Culture Movement
4．3 1950一1979：The Control of the New Government
4．3．1 The Socialist Education
4．3．2 The Cultural Revolution
4．4 1980--present：Western Mass Culture
4．5 Looking forward：the Future of Kanyu
5 HOW DOES KANYU FIT INTO UNESCO’S CRITERIA？
6 CONCLUSION
7 BIBLIOGRAPHY
7．1 Books and Article
7．2 WebPage for Footnotes
7．3 Interviews
附錄
堪輿(風水)：被遺忘的中國式背景
後記
——帶特萊特·卡麥亞教授訪談錄
1 INTRODUCTION
1．1 Problem Statement
1．2 Research Objectives
1．3 Methodology and Bibliographical Sources
1．4 Organization of Research
2 THE DEVELOPING CONCEPT OF WORLD HERlTAGE
AND THE DEVELOPED DANGER OF ORAL ＆ INTANGIBLE HERITAGE
2．1 A Brief Introduction to World Heritage Convention
2．2 The Development of the World Heritage Project
2．2．1 From tangible to intangible heritage
2．2．2 Changes of selection criteria
2．3 UNESCO’S Definition and Criteria of Oral and Intangible Heritage of Mankind
2．4 The Changes of Cultural Identity and the Danger of Oral and Intangible Heritage
2．4．1 Cultural identity and oral＆intangible heritage
2．4．2 Cultural identity and globalization
Enclosure
3 WHAT IS KANYU(Feng-shui)？
3．1 Definitions of Kanyu
3．2 The History and Development of Kanyu
3．2．1 Embryonic stage(B．C．13th一B．C．3rd一Century)
3．2．2 Perfecting stage(B．C．3 rd--6m Century)
3．2．3 Mature stage(7th--12m Century)
3．2．4 Prevailing stage(13th—19th Century)
3．2．5 Declining stage (20th Century)
3．3 The Theories of Kanyu
3．3．1 The book of Change
3．3．2 Yin·yang and 5 Elements(5 agents)
3．3．3 The premises and terms of Kanyu
3．3．4 Two Main Categories of Kanyu
3．4 Microcosmic Environment and the Principle of Balance
3．4．1 Four spiritual animals
3．4．2 The timing in Kanyu
3．4．3 Modification
3．5 Justification of Kanyu Principles by Modern Science and Technology
3．5．1 Principle of integrity
3．5．2 Principle of“Yin Di Zhi Yi”(Adoption of architectural measures suitable for different natural surroundings)
3．5．3 Principle of“Yi Shan Bang Shui”r attachment to mountainous terrains and vicinity to water sources)
3．5．4 Principle of geological and hydrological preference
3．5．5 Principle of“Zuo Bei Chao Nan”f sitting north and facing south)
3．5．6 Principle of eclecticism
3．6 The Forbidden City：the Application of Kanyu in World Heritage List
3．6．1 Kanyu and palace names
3．6．2 Application of Yin—yang and five elements
4 WHY IS KANYU(Feng-shui)BEING FORGOTTEN？
4．1 1840--1899：Debate on Chinese and Western Cultures
4．2 1900--1949：New Culture Movement
4．3 1950一1979：The Control of the New Government
4．3．1 The Socialist Education
4．3．2 The Cultural Revolution
4．4 1980--present：Western Mass Culture
4．5 Looking forward：the Future of Kanyu
5 HOW DOES KANYU FIT INTO UNESCO’S CRITERIA？
6 CONCLUSION
7 BIBLIOGRAPHY
7．1 Books and Article
7．2 WebPage for Footnotes
7．3 Interviews
附錄
堪輿(風水)：被遺忘的中國式背景
後記
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