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【論文】
林順夫：以無翼飛者：《莊子：內篇》對於最高理想人物的描述
Those Who Can Fly without Wings: The Depiction of the Ideal Persons in the Inner Chapters of the Zuangzi
蕭馳：洪州禪與白居易閑適詩的山意水思
Hongzhou Chan and Landscape within Mind in Bai Juyi's Poetry of Liesure
衣若芬：骷髏幻戲──中國文學與圖象中的生命意識
Skeleton Puppet Show: The Consciousness of Life in Chinese Literature and Iconography
廖肇亨：淫辭豔曲與佛教：從《西廂記》相關文本論清初戲曲美學的佛教詮釋
Erotica and buddhism: The Buddhist dimension of the Commentary of Xixiang ji
王璦玲：「忖度予心，百不失一」──論《桃花扇》評本中批評語境之提示性與詮釋性
The Embedded Critical Dimensions of the Commentated Taohua shan
胡曉真：絲絃、帳簿、華年──論《林蘭香》與世情小說的擬真世界
String Music, Account Books and Time: Lin Lan Xiang and the Simulation of Reality in the Novel of Everyday Life
勞悅強：川流不舍與川流不息──從孔子之歎到朱熹的詮釋
What Happened by the River──From the Sigh of Confucius to the Interpretation of Zhu Xi
劉笑敢：經典詮釋中的兩種內在定向及其外化──以王弼《老子注》與郭象《莊子注》為例
Two Orientations and Their Exemplification: Wang Bi's Commentary on the Laozi and Guo Xiang's Commentary on the Zhuangzi
林素娟：漢代后妃的嫡庶之辨──以葬禮及相關經義為探究核心
The Issues of Di and Shu in the Han Dynasty Explored through Funeral Ceremony and Confucian Classics
【書評論文】
林月惠：本體與工夫合一：陽明學的展開與轉折
The Unity of Reality and Cultivation: Developments and Transformations of Wang Yangming's Teaching
【書評】
廖肇亨：《中國古代戲劇形態與佛教》
Zhongguo gudai xijuxingtai yu fojiao
華瑋：Peony Pavilion Onstage: Four Centuries in the Career of a Chinese Drama
徐聖心：Linguistic Strategies in Daoist Zhuangzi and Chan buddhism: The Other Way of Speaking
巫仁恕：《明末江南の出版文化》
張隆志：Taiwan's Imagined Geography: Chinese Colonial Travel Writing and Pictures, 1683-1895
林順夫：以無翼飛者：《莊子：內篇》對於最高理想人物的描述
Those Who Can Fly without Wings: The Depiction of the Ideal Persons in the Inner Chapters of the Zuangzi
蕭馳：洪州禪與白居易閑適詩的山意水思
Hongzhou Chan and Landscape within Mind in Bai Juyi's Poetry of Liesure
衣若芬：骷髏幻戲──中國文學與圖象中的生命意識
Skeleton Puppet Show: The Consciousness of Life in Chinese Literature and Iconography
廖肇亨：淫辭豔曲與佛教：從《西廂記》相關文本論清初戲曲美學的佛教詮釋
Erotica and buddhism: The Buddhist dimension of the Commentary of Xixiang ji
王璦玲：「忖度予心，百不失一」──論《桃花扇》評本中批評語境之提示性與詮釋性
The Embedded Critical Dimensions of the Commentated Taohua shan
胡曉真：絲絃、帳簿、華年──論《林蘭香》與世情小說的擬真世界
String Music, Account Books and Time: Lin Lan Xiang and the Simulation of Reality in the Novel of Everyday Life
勞悅強：川流不舍與川流不息──從孔子之歎到朱熹的詮釋
What Happened by the River──From the Sigh of Confucius to the Interpretation of Zhu Xi
劉笑敢：經典詮釋中的兩種內在定向及其外化──以王弼《老子注》與郭象《莊子注》為例
Two Orientations and Their Exemplification: Wang Bi's Commentary on the Laozi and Guo Xiang's Commentary on the Zhuangzi
林素娟：漢代后妃的嫡庶之辨──以葬禮及相關經義為探究核心
The Issues of Di and Shu in the Han Dynasty Explored through Funeral Ceremony and Confucian Classics
【書評論文】
林月惠：本體與工夫合一：陽明學的展開與轉折
The Unity of Reality and Cultivation: Developments and Transformations of Wang Yangming's Teaching
【書評】
廖肇亨：《中國古代戲劇形態與佛教》
Zhongguo gudai xijuxingtai yu fojiao
華瑋：Peony Pavilion Onstage: Four Centuries in the Career of a Chinese Drama
徐聖心：Linguistic Strategies in Daoist Zhuangzi and Chan buddhism: The Other Way of Speaking
巫仁恕：《明末江南の出版文化》
張隆志：Taiwan's Imagined Geography: Chinese Colonial Travel Writing and Pictures, 1683-1895
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