The aim of Music and Capitalism is to add to the small but now fast-growing number of works that have appeared in the twenty-first century on capitalism in an effort to restore it as an important, and
In Beyond Exoticism, Timothy D. Taylor considers how western cultures’ understandings of racial, ethnic, and cultural differences have been incorporated into music from early operas to contemporary te
In Beyond Exoticism, Timothy D. Taylor considers how western cultures’ understandings of racial, ethnic, and cultural differences have been incorporated into music from early operas to contemporary te
From the early days of radio through the rise of television after World War II to the present, music has been used more and more often to sell goods and establish brand identities. And since at least
Timothy Taylor is formalizing and extending the map of today’s musical landscape he has recently traced in Music and Capitalism: A History of the Present. He here broadens the time frame to deal with
In music studies, Timothy D. Taylor is known for his insightful essays on music, globalization, and capitalism. Music and the World is a collection of some of Taylor’s most recent writings—essays conc
The aim of Music and Capitalism is to add to the small but now fast-growing number of works that have appeared in the twenty-first century on capitalism in an effort to restore it as an important, and
From the early days of radio through the rise of television after World War II to the present, music has been used more and more to sell goods and establish brand identities. And since the 1920s, song
Global Pop examines the rise of "world musics" and "world beat", and some of the musicians associated with these new genres such as Peter Gabriel, Ladysmith Black Mambazo, and Johnny Clegg. Drawing on
This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the
This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the