The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugene Atget in both Europe a
The Realisms of Berenice Abbott provides the first in-depth consideration of the work of the photographer Berenice Abbott. She is best known for her 1930s documentary images of New York City, but in t
American Modern, the beautifully illustrated companion volume to the exhibit of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic f
