三民網路書店 / 搜尋結果

Tobias Klein explores applications of 3D printing in architecture, art, design and interactive media installations in order to create a fusion of contemporary CAD/CAM technologies built from natural m

香港大學美術博物館為配合何安達先生的藏品展而出版此圖錄，書中收錄逾八十件的冰島畫作、雕塑及素描。二十世紀的冰島藝術家受北歐斯堪的那納維亞半島畫派薰陶，作品多以北歐海陸風景為題材。即便絕大多數的冰島藝術家曾赴鄰國丹麥 ― 一個文化發展成熟且擁有一所歷史悠久藝術學院的國家 ― 修讀藝術，但在冰島地域環境和神話傳說的影響下，遂也逐步建立起其極富民族色彩的藝術風格。這組讓人意猶未盡的珍藏，不僅寫下冰島畫家

A strong international interest in Congolese art, its collection and public display has grown steadily since it was first institutionalised with the foundation of Belgium’s Royal Museum of Central Afr

High Gothic: Christian Art & Iconography of the 13th–14th Century showcases classic examples of statuary, stained glass, diptychs, textiles and caskets that were used in the expression of Christian devotion in Western Europe.‘Gothic’ was originally a derogatory term coined by scholars during the Renaissance to describe the ‘barbaric’ medieval architecture that arose with the decline of the classical forms of the Roman Empire. The word is now understood to describe a style of buildings and objects created between the twelfth and fifteenth centuries which incorporate elements such as novel advances in masonry work and the characteristic ogival arch.The Gothic period saw an increased emphasis on the power of images, where vision became an active force for activating emotion and inspiring contemplation. The great cathedrals constructed in this period―with their thin walls and high vaults filled with statuary and stained-glass windows―were designed to evoke awe among visitors. The exqui

「輝煌的啟示 (貳)：十一世紀至十八世紀的亞美尼亞基督宗教手稿」集合一批精選典藏，包括合訂本，祈禱書卷軸，及來自東地中海地區的基督教福音書彩繪手抄本葉冊。亞美尼亞彩繪手抄本是中東基督教教會一些裝飾最為奢華的範例。福音書彩繪手抄本為其中之集大成者，這主要是因為亞美尼亞會衆極為尊崇聖經文本，其程度就如同希臘和俄羅斯東正教徒對於聖像的尊崇。這些手抄本經常被亞美尼亞的統治者們携入戰場，一些福音書的複製單品

This publication presents a selection of essays on Chinese and European furniture making, stylistic influences and workshop practices during the seventeenth and eighteenth centuries. Single chapters f

Bosshard in China offers a comprehensive sweep of black and white photographs and documentary films produced by Swiss photojournalist Walter Bosshard. Living and travelling extensively in China from 1

Porcelain, with its fine white body, delicately painted decoration and associations with China’s culture and vast wealth, has long delighted and captivated people in the West, as well as across the wh

This catalogue accompanies the University Museum and Art Gallery's exhibition of "Picasso Ceramics" from the Nina Miller Collection, which provides a unique opportunity to study the sculptural qualiti

Published in conjunction with three Robert Lettner (1943–2012) exhibitions staged across Hong Kong in 2017, this volume surveys artworks from the Austrian artist’s long career from the 1960s until his

香港大學美術博物館為配合何安達先生的藏品展而出版此圖錄，書中收錄逾八十件的冰島畫作、雕塑及素描。二十世紀的冰島藝術家受北歐斯堪的那納維亞半島畫派薰陶，作品多以北歐海陸風景為題材。即便絕大多數的冰島藝術家曾赴鄰國丹麥 ― 一個文化發展成熟且擁有一所歷史悠久藝術學院的國家 ― 修讀藝術，但在冰島地域環境和神話傳說的影響下，遂也逐步建立起其極富民族色彩的藝術風格。這組讓人意猶未盡的珍藏，不僅寫下冰島畫家

The University Museum and Art Gallery collaborates with Chen Xi on the exhibition Chen Xi: So We Remember. This catalogue accompanies the exhibition. The paintings illustrate important events that have shaped our modern world. The artist created this series of contemporary images to commemorate, to document and to provoke thought. The show presents her preliminary pen and watercolour drawings along with the finished oil paintings. Meticulous in her research and true to both the documented incident and the domestic details, Chen Xi creates historical paintings for our present and future generations. Her method directly relates to contemporary life and to a society that is informed and influenced by modern-day media. Interestingly, the painter does not simply depict a historic event, but frames within a TV screen each episode of her sequential and international narrative. By presenting the paintings within the TV’s glass, they become screen shots linked to a specific moment in time and s

This catalogue is published to coincide with the UMAG exhibition Ying Tianqi: What Remains in Ruins, an exhibition featuring mixed-media work printed with water-soluble ink on paper, oils, a video pro

《輝煌的啟示》展出了一系列來自麥卡錫蒐藏的基督宗教泥金插畫手繪本，時間自哥德盛期至文藝復興盛期（一二五零年至一五四零年），此類微繪體現著插畫藝術的才華與文化。在一四五四年左右約翰內斯‧古騰堡引入印刷機之前，品種豐富的手抄卷本以及一些最優秀的泥金插畫手繪本的製作已遍佈歐洲。這些特別的插畫取自《聖經》、《時禱書》與《聖詩集》，例證了一種由哥德式轉向文藝復興式的線條風格轉變，這種轉變在建築與繪畫中尤為明