This only book from the African-American Harlem Renaissance writer features stories that addressed the issues of race and class early on and featured dialogue in colorful Caribbean dialects describing
Eric Walrond (1898–1966), in his only book, injected a profound Caribbean sensibility into black literature. His work was closest to that of Jean Toomer and Zora Neale Hurston with its striking use of
Eric Walrond (1898-1966), a significant figure in the Harlem Renaissance and New Negro Movement, is a seminal writer of Black diasporic life, but much of his work is not readily available. This new an
"A substantial step forward for black diaspora and black transnational literary studies."--Gary Edward Holcomb, author of Claude McKay, Code Name Sasha "Fills a significant void in our understanding o
Parascandola (English, Long Island U.) and Wade (English, U. of the West Indies) present a collection of works by Guayana-born author Eric Walrond, who was well regarded during the Harlem Renaissance
