While Celtic art includes some of the most famous archaeological artefacts in the British Isles, such as the Battersea shield or the gold torcs from Snettisham, it has often been considered from an ar
Fourteen academics from England, Scotland, Wales, Portugal, and Iceland contribute 13 chapters to a text that evolved from a May 2005 conference held at the U. of Cambridge. Suitable for academics, re
The papers in this collection first appeared and at 2006 Oxford conference on Celtic art. The editors, Garrow (archaeology, University of Reading), Gosden (archaeology, Oxford) and Hill, of the Britis
