In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embo
In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embo
The images of migrants and refugees arriving in precarious boats on the shores of southern Europe, and of the makeshift camps that have sprung up in Lesbos, Lampedusa, Calais and elsewhere, have becom
The images of migrants and refugees arriving in precarious boats on the shores of southern Europe, and of the makeshift camps that have sprung up in Lesbos, Lampedusa, Calais and elsewhere, have becom
Using archaeology and social anthropology, and more than 100 original line drawings and photographs, An Archaeology of Images takes a fresh look at how ancient images of both people and animals were u
Whether on the printed page, the television screen or the digital app, we live in a world saturated with images.Some images help shape our understanding of ourselves and the world around us in positiv
Images have become an integral part of the political regulation of migration: they help produce categories of legality versus illegality, foster stereotypes, and mobilize political convictions. Yet ho
Images have become an integral part of the political regulation of migration: they help produce categories of legality versus illegality, foster stereotypes, and mobilize political convictions. Yet ho
This Element offers a new approach to ancient Egyptian images informed by interdisciplinary work in archaeology, anthropology, and art history. Sidestepping traditional perspectives on Egyptian art, the Element focuses squarely on the ontological status of the image in ancient thought and experience. To accomplish this, section 2 takes up a number of central Egyptian terms for images, showing that a close examination of their etymology and usage can help resolve long-standing question on Egyptian imaging practices. Section 3 discusses ancient Egyptian experiences of materials and manufacturing processes, while section 4 categorizes and discusses the different purposes and functions for which images were created. The Element as a whole thus offers a concise introduction to ancient Egyptian imaging practices for an interdisciplinary readership, while at the same introducing new ways of thinking about familiar material for the Egyptological reader.
From the mid-1980s to the early 2000s, images of crisis and reform dominated talk of Cameroon's economy. Doing Business in Cameroon examines the aftermath of that period of turbulence and unpredictability in the northern city of Ngaoundéré. Taking the everyday encounters between business actors and state bureaucrats as its point of departure, the book vividly illustrates the backstage and interconnected dynamics of four different sectors (cattle trade, trucking, public contracting, and NGO work). Drawing on his training in law and social anthropology, the author is able to clarify intricate policy dynamics and abstruse legal developments for readers. A widespread picture emerges of actors grappling with the long-term implications of selective or suspended enforcement of legal rules. The book deftly illuminates a set of shifting configurations in which economic outcomes like monetary gains or the circulation of goods are achieved by foregoing the possibility of relying on or complying w
The Afterlives of Greek Sculpture is the first comprehensive, historical account of the afterlives of ancient Greek monumental sculptures. Whereas scholars have traditionally focused on the creation of these works, Rachel Kousser instead draws on archaeological and textual sources to analyze the later histories of these sculptures, reconstructing the processes of damage and reparation that characterized the lives of Greek images. Using an approach informed by anthropology and iconoclasm studies, Kousser describes how damage to sculptures took place within a broader cultural context. She also tracks the development of an anti-iconoclastic discourse in Hellenic society from the Persian wars to the death of Cleopatra. Her study offers a fresh perspective on the role of the image in ancient Greece. It also sheds new light on the creation of Hellenic cultural identity and the formation of collective memory in the Classical and Hellenistic eras.
The Afterlives of Greek Sculpture is the first comprehensive, historical account of the afterlives of ancient Greek monumental sculptures. Whereas scholars have traditionally focused on the creation of these works, Rachel Kousser instead draws on archaeological and textual sources to analyze the later histories of these sculptures, reconstructing the processes of damage and reparation that characterized the lives of Greek images. Using an approach informed by anthropology and iconoclasm studies, Kousser describes how damage to sculptures took place within a broader cultural context. She also tracks the development of an anti-iconoclastic discourse in Hellenic society from the Persian wars to the death of Cleopatra. Her study offers a fresh perspective on the role of the image in ancient Greece. It also sheds new light on the creation of Hellenic cultural identity and the formation of collective memory in the Classical and Hellenistic eras.
From the mid-1980s to the early 2000s, images of crisis and reform dominated talk of Cameroon's economy. Doing Business in Cameroon examines the aftermath of that period of turbulence and unpredictability in the northern city of Ngaoundéré. Taking the everyday encounters between business actors and state bureaucrats as its point of departure, the book vividly illustrates the backstage and interconnected dynamics of four different sectors (cattle trade, trucking, public contracting, and NGO work). Drawing on his training in law and social anthropology, the author is able to clarify intricate policy dynamics and abstruse legal developments for readers. A widespread picture emerges of actors grappling with the long-term implications of selective or suspended enforcement of legal rules. The book deftly illuminates a set of shifting configurations in which economic outcomes like monetary gains or the circulation of goods are achieved by foregoing the possibility of relying on or complying w
This 1995 book is an effort to recover the participation of ordinary Christians in the enterprise of Reformation through an exploration of the meaning of acts of iconoclasm: what they tell us about the role of images in Christianity and about ordinary people's theologies. Its focus, on ordinary Christians, distinguishes it from other studies of Reformation iconoclasm. Its concern, to recover their agency in Reformation and to discern their theology in acts, may be of interest to scholars in American history, anthropology, and religious studies. Its analysis of images in Christianity will be of interest to art historians.
