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在照片中，慈禧太后單手執小鏡，另一手則正將長柄花插進髮中。慈禧若有所思的臉籠罩在右上方戲劇性的照明中，並往她左手小鏡子的方向傾斜。然而她真正凝視，卻微妙但明確地自鏡面移開，朝向照片框架外某個無法辨認的低點。本研究以慈禧迷途的凝視做為出發點，思考中國三個不同歷史時刻的視覺論述：十九世紀清末、二十世紀中現代時期，以及當代。每個年代都標誌著不同的主流視覺模式──鏡像、觀看、屏幕投射──但同時，這些歷史斷

In this major new collection, an international team of scholars examine the relationship between the Chinese women's periodical press and global modernity in the late nineteenth and twentieth centuries. The essays in this richly illustrated volume probe the ramifications for women of two monumental developments in this period: the intensification of China's encounters with foreign powers and a media transformation comparable in its impact to the current internet age. The book offers a distinctive methodology for studying the periodical press, which is supported by the development of a bilingual database of early Chinese periodicals. Throughout the study, essays on China are punctuated by transdisciplinary reflections from scholars working on periodicals outside of the Chinese context, encouraging readers to rethink common stereotypes about lived womanhood in modern China, and to reconsider the nature of Chinese modernity in a global context.

In this major new collection, an international team of scholars examine the relationship between the Chinese women's periodical press and global modernity in the late nineteenth and twentieth centuries. The essays in this richly illustrated volume probe the ramifications for women of two monumental developments in this period: the intensification of China's encounters with foreign powers and a media transformation comparable in its impact to the current internet age. The book offers a distinctive methodology for studying the periodical press, which is supported by the development of a bilingual database of early Chinese periodicals. Throughout the study, essays on China are punctuated by transdisciplinary reflections from scholars working on periodicals outside of the Chinese context, encouraging readers to rethink common stereotypes about lived womanhood in modern China, and to reconsider the nature of Chinese modernity in a global context.