As early as the 1950s, Professor Irving Lavin was -recognized as a major voice in American art history. His sustained production of seminal scholarly contributions has left its mark on an astonishingl
Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton.
Volumes I and II bring together Professor Sauerlander's papers on Romanesque art, and complement his two previously published volumes in this series on Gothic art.
Trained as an archaeologist and art historian and being a practising painter, Professor Galavaris has been able to relate diverse disciplines in his work, as shown by the wide range of his numerous pu
As early as the 1950s, Professor Irving Lavin was -recognized as a major voice in American art history. His sustained production of seminal scholarly contributions has left its mark on an astonishingl
The studies collected in this volume, some of them rather difficult to access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centur
"Rethinking Malevich" is an English-language collection of sixteen innovative essays by leading international scholars that document new and intriguing aspects of Kazimir Malevich's art and biography.
Dr. Jean Michel Massing is a Reader in the History of Art and a Fellow of King's College, Cambridge. The first volume of Studies in Imagery, Text and Images consists of 25 studies grouped under four s
Recent discussions on Byzantine art have been dominated by the question of representing realia . Among these, however, the way works of art reflect the daily life of women have not received much spac
Using the great south-Italian monastery of San Vincenzo al Volturno, one of the best preserved monasteries of the earliest Middle Ages, as a case-study and heuristic paradigm, John Mitchell has engage
This weighty volume contains a collection of previously published articles by Sandler (emerita, New York U. Institute of Fine Arts), a noted manuscript scholar who specializes in marginal imagery, par
Marilyn Aronberg Lavin has taught the history of art at Washington University, the University of Maryland, Yale, Princeton, and Universita di Roma, La Sapienza. Specializing in Italian 13th16th centur
Professor Charles D. Cuttler changed from artist to art historian at New York University s Institute of Fine Arts , studying under distinguished teachers such as Walter Friedlaender and Erwin Panofsky
Vol. 1 consists of a collection of nineteen articles by the author, previously published separately from 1938 to 1992; v. 2 covers the arts of Anglo-Saxon England and Europe in the early Middle Ages,
Vol. 1 consists of a collection of nineteen articles by the author, previously published separately from 1938 to 1992; v. 2 covers the arts of Anglo-Saxon England and Europe in the early Middle Ages,
The work of J. B. Ward-Perkins on Roman architecture spanned fifty years, and his numerous published papers covered almost every aspect of the subject. This selection of sixteen studies focuses mainly
Romanesque sculpture in Burgundy has always been seen as central to our understanding of the history and culture of 11th and 12th century Europe, standing as it does at a cross-roads between north and
Romanesque sculpture in Burgundy has always been seen as central to our understanding of the history and culture of 11th and 12th century Europe, standing as it does at a cross-roads between north and
This volume contains papers written in the years following 1986 which discuss both specific examples of sculpture, such as Donatello's Madonna, or broader surveys of a particular sculptor or style. Bo
The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on
