Literary Nonfiction. Art. Contributers include William Edward Parry, the Crews of the Helca and Griper, et al. THE NORTH GEORGIA GAZETTE AND WINTER CHRONICLE is an annotated transcription of the 1821
Fiction. LGBT Studies. A debut novel about a self-sabotaging Credit Union employee, a cold woman at odds with and alone in the world. She, in no particular order, seduces her lover's sister, wades thr
Cultural Writing. Art. Essays. Because a space heater and good friends can be a million times warmer than central heating and track lighting, PHONEBOOK is an invaluable, yet by no means exhaustive (ye
Fiction. An extended meditation on the sentence--an inquiry into how we make use of language to express our selves, and an investigation of how language helps shape and determine who and what those se
Poetry. Bilingual Edition. Translated from the French by Nick Sarno. A new translation of the groundbreaking work of French Symbolism, this collection features color plates by the artist Gerald Bacasa
Poetry. Printed in an edition of 250 with color plates by artist Brian McNearney. Using lyrical language, repetition and abstraction, King retells the Odyssey representing the original characters as s
Poetry. Literary Nonfiction. Art. Environmental Studies. Philosophy. Vegetal life forms are banal in their ubiquity. Undeniably alive, yet silent, they creep upwards, their roots submerged and out of
Poetry. Latino/Latina Studies. "In these strange, open-eyed, open- hearted, beautiful poems, there is nowhere to stand, or there is everywhere specific. I feel as if I am looking at Borges' aleph: sac
Literary Nonfiction. Poetry. Introduction by Jane Blocker. 2nd Edition. THE BRIGHTEST THING IN THE WORLD: 3 LECTURES FROM THE INSTITUTE OF FAILURE is a collection of essays that touch on seating strat
Literary Nonfiction. Art. INSTITUTIONAL GARBAGE is an experimental publication that endeavors to grasp the memory, feeling, and trace of an online exhibition that took place in the fall of 2016. The o
Poetry. New lyric poetry by Rachel Galvin explores an ethical response to American comfort and its ties to war and exploitation. The poems in this collection reflect on news reporting, natural disaste
