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Alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised.Never before has the entire world been caught up nearly simultaneously in such a similar experience as in this era of the pandemic, which has only accelerated the spiraling crises of our time. The experiences that artists and curators now address, and even the very sense of experience itself, are more situated than local, extending beyond demarcated localities and individual communities, and resonating in precise yet expanded contexts of culture, space, and time. This book proposes alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised in the name of a new sense of the situated, and as various economies of solidarity are already developing. The predominant forms of curatorial production (exhibitions, conferences, publications

This book is the generously illustrated, lavishly documented, critically narrated story of one of the most significant art collectives of the late twentieth century.In 1984, three groups of artists in

with essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and others The earliest "body art" was created in Eastern Europe in the ear

L'Internationale is a trans-institutional network of five major European museums and artists' archives: Moderna Galerija Ljublana, Julius Koller Society Bratislava/Vienna, MACBA Barcelona, Van Abbemus