Volumes I and II bring together Professor Sauerlander's papers on Romanesque art, and complement his two previously published volumes in this series on Gothic art.
Professor Sauerländer is the leading authority on Gothic sculpture of the twelfth and thirteenth centuries. The papers collected here have been published over the last 35 years. They represent importa
Volumes I and II bring together Professor Sauerländer's papers on Romanesque art, and complement his two previously published volumes in this series on Gothic art. The studies are again grouped around
Professor Sauerländer is the leading authority on Gothic sculpture of the twelfth and thirteenth centuries. The papers collected here have been published over the last 35 years. They represent importa
The face in medieval sculpture was an exploration in human identity, marked not only by evolving nuances of style but also by the ongoing drama of European history. The 81 magnificent sculpted heads
Faces in medieval sculpture are explorations of human identity, marked not only by evolving nuances of style but also by ongoing drama of European history. The eighty-one sculpted heads featured in th
