After the closing of his first art gallery in 1917, photographer Alfred Stieglitz reemerged in the New York art world in the 1920s. He achieved his comeback in large part through the innovative means
Artists have often taken rational, material existence as a starting point forengagement with metaphysics and mysticism, but no book until now has traced a similar strategy onthe part of curators. In
After the closing of his first art gallery in 1917, photographer Alfred Stieglitz reemerged in the New York art world in the 1920s. He achieved his comeback in large part through the innovative means
Artists have often taken rational, material existence as a starting point forengagement with metaphysics and mysticism, but no book until now has traced a similar strategy onthe part of curators. In
In the era of The Man in the Gray Flannel Suit -- when social pressures on men to conform threatened cherished notions of masculine vitality, freedom, and authenticity -- modernist paintings came to b
In the era of The Man in the Gray Flannel Suit -- when social pressures on men toconform threatened cherished notions of masculine vitality, freedom, and authenticity -- modernistpaintings came to be
Artist and scholar Marcia Brennan servs as artist in residence at the M. D. Anderson Cancer Center in Houston, and the experience of seeing, close-up, the transitional states and transformational visi
The Heart of the Hereafter can help to serve as a life review for the living. The stories can change not only how we view the end of life, but how we view life itself, and thus how we actively live ou