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商品簡介
對於學習水墨畫的人來說，本書是一本講解細緻、乾貨滿滿的優秀教材。本書介紹了每位畫家的用具配置、墨的研磨方法，以及所使用的畫筆類型，介紹了各自創作中的調墨重點和運筆秘訣，並結合若干案例的畫法講解，來講述破墨技法、葉子的畫法、花瓣的畫法、三墨法、水分的去除方法、墨的取法、水的取法等各位畫家獨特的繪畫技法。案例題材豐富，有玫瑰、溪穀、雪景、山脈、牡丹、葡萄等，分步驟繪製並一一講解，每一步均結合圖片，直觀易懂，讓學習者便於掌握和運用這些技法。
作者簡介
株式會社日貿出版社，1966年成立。前身是日本出版貿易株式會社出版部。主要從事書籍、雜誌、音樂影像製品的引進和輸出，以及批發零售業務。其他業務還有，西文圖書、影像製品的引進；向在國外居住的日本人提供日本國內最新的書籍和雜誌；與國外的書店、圖書館、研究機構合作書籍、雜誌、日文教材；向國外輸出日本國內的音像影像製品等。
目次
序言
筆墨鮮明的表現手法
伊藤昌 -------------------------------------------------------6
用具配置／墨的研磨方法／筆 ···························· 6
調墨重點 ················································· 6
運筆秘訣 ················································· 7
紫藤畫法 用逆鋒表現出藤蔓的強韌
櫻花畫法 破墨效果
畫法講解１ 畫玫瑰 ········································ 8
破墨技法 ··············································· 8
畫法講解２ 畫溪穀 ········································ 9
【作品舉例】 T 字路／姫路城 ·······························10
中尊寺金色堂／月光 ··························11
宮島嚴島神社／屋久島 ························12
薄暮／朝漁 ····································13
伊藤昌簡歷／個人技法要點······························13
用淡墨描繪嬌豔的花朵
大月紅石 ---------------------------------------------- 14
用具配置／墨的研磨方法／筆 ···························14
調墨重點 ················································14
運筆秘訣 葉子的畫法 ··································15
繡球花的葉子／大吳風草的葉子
畫法講解１ 畫繡球花 ···································16
畫法講解２ 畫花束 ·······································18
【作品舉例】 開始即結束， 結束即開始 ····················19
百合水仙 ······································20
銀蓮花 ········································21
人偶／花莖甘藍 ·······························22
車百合 ········································23
大月紅石簡歷／個人技法要點 ···························23
用精妙的筆法再現四季更替的自然之景
岡村南紅 ---------------------------------------------- 24
用具配置／墨的研磨方法／筆 ···························24
調墨重點 ················································24
調墨的變化 ··············································25
花瓣的畫法／小樹枝的畫法／樹幹的畫法
畫法講解１ 畫山茶花 ···································26
畫法講解２ 畫雪景 ·······································27
畫法講解３ 畫繡球花 ···································28
【作品舉例】 染井吉野櫻花 ·································30
玫瑰／池畔 ····································31
牽牛花 ········································32
牡丹 ···········································33
岡村南紅簡歷／個人技法要點 ···························33
追尋墨色之美的源泉
鹽澤玉聖 ---------------------------------------------- 34
用具配置／墨的研磨方法／筆 ···························34
調墨重點 ················································34
調墨的變化 ··············································35
從筆的一側看形成的濃、中、淡三墨狀態
從筆的一側看形成的斜向的濃、中、淡三墨狀態
畫法講解１ 畫小麥 ·······································36
畫法講解２ 畫富士山 ···································37
【作品舉例】 風竹 ··········································39
靈峰 ···········································40
白映 ···········································41
鹽澤玉聖簡歷／個人技法要點 ···························41
墨色之上，寄託時代精神
根岸嘉一郎 --------------------------------------- 42
用具配置／墨的研磨方法／筆 ···························42
調墨重點 ················································42
單側三墨法 ··············································43
板刷的調墨 ··············································44
畫法講解１ 畫雪林 ·······································45
畫法講解２ 畫山脈 ·······································46
【作品舉例】 神橋／寂 ······································48
斷崖奇景（北山崎）／岬角 ···················49
上高地／春天的漁村 ··························50
玫瑰仿製品 ····································51
根岸嘉一郎簡歷／個人技法要點 ·························51
多樣的創作方法
白浪 ------------------------------------------------------------ 52
用具配置／墨的研磨方法／筆 ···························52
調墨重點 濃淡要分別來畫······························52
運筆秘訣 畫古樹 ·······································54
畫法講解 畫牡丹 ·······································55
【作品舉例】 古松 ··········································57
紫藤 ···········································58
石榴 ···········································59
白浪簡歷／個人技法要點 ································59
探究筆墨的可能性
藤崎千雲 ---------------------------------------------- 60
用具配置／墨的研磨方法／筆 ···························60
調墨重點 ················································60
運筆秘訣１ 藏鋒和露鋒 ································61
運筆秘訣２ 點點 ·······································62
畫法講解１ 畫山茶花 ···································63
畫法講解２ 畫石山 ·······································65
【作品舉例】 寒牡丹／秋實 ·································66
彩瞬 ···········································67
雲山 ···········································68
溪聲 ···········································69
藤崎千雲簡歷／個人技法要點 ···························69
用傳統技法表現新主題
藤原六間堂 --------------------------------------- 70
用具配置／墨的研磨方法／筆 ···························70
調墨重點 ················································70
調墨的變化 ··············································71
水分的去除方法／墨的取法①
墨的取法②／水的取法
畫法講解１ 畫雞 ··········································72
畫法講解２ 畫葡萄 ·······································73
【作品舉例】白雪皚皚／威尼斯清晨 ·······················75
雲和月的對話／白樺林 ························76
無言 ···········································77
藤原六間堂簡歷／個人技法要點 ·························77
用澄淨墨色描繪詩情畫意
松井陽水 ---------------------------------------------- 78
用具配置／墨的研磨方法／筆 ···························78
調墨重點 ················································78
畫法講解１ 畫黃昏的威尼斯 ·························79
畫法講解２ 畫聖誕玫瑰 ································81
【作品舉例】 玫瑰 ··········································83
山茶花／貓頭鷹 ·······························84
陣雨 ···········································85
松井陽水簡歷／個人技法要點 ···························85
水墨畫的主要技法 ·······································86
各位畫家平時使用的用具和材料 ·························87
筆墨鮮明的表現手法
伊藤昌 -------------------------------------------------------6
用具配置／墨的研磨方法／筆 ···························· 6
調墨重點 ················································· 6
運筆秘訣 ················································· 7
紫藤畫法 用逆鋒表現出藤蔓的強韌
櫻花畫法 破墨效果
畫法講解１ 畫玫瑰 ········································ 8
破墨技法 ··············································· 8
畫法講解２ 畫溪穀 ········································ 9
【作品舉例】 T 字路／姫路城 ·······························10
中尊寺金色堂／月光 ··························11
宮島嚴島神社／屋久島 ························12
薄暮／朝漁 ····································13
伊藤昌簡歷／個人技法要點······························13
用淡墨描繪嬌豔的花朵
大月紅石 ---------------------------------------------- 14
用具配置／墨的研磨方法／筆 ···························14
調墨重點 ················································14
運筆秘訣 葉子的畫法 ··································15
繡球花的葉子／大吳風草的葉子
畫法講解１ 畫繡球花 ···································16
畫法講解２ 畫花束 ·······································18
【作品舉例】 開始即結束， 結束即開始 ····················19
百合水仙 ······································20
銀蓮花 ········································21
人偶／花莖甘藍 ·······························22
車百合 ········································23
大月紅石簡歷／個人技法要點 ···························23
用精妙的筆法再現四季更替的自然之景
岡村南紅 ---------------------------------------------- 24
用具配置／墨的研磨方法／筆 ···························24
調墨重點 ················································24
調墨的變化 ··············································25
花瓣的畫法／小樹枝的畫法／樹幹的畫法
畫法講解１ 畫山茶花 ···································26
畫法講解２ 畫雪景 ·······································27
畫法講解３ 畫繡球花 ···································28
【作品舉例】 染井吉野櫻花 ·································30
玫瑰／池畔 ····································31
牽牛花 ········································32
牡丹 ···········································33
岡村南紅簡歷／個人技法要點 ···························33
追尋墨色之美的源泉
鹽澤玉聖 ---------------------------------------------- 34
用具配置／墨的研磨方法／筆 ···························34
調墨重點 ················································34
調墨的變化 ··············································35
從筆的一側看形成的濃、中、淡三墨狀態
從筆的一側看形成的斜向的濃、中、淡三墨狀態
畫法講解１ 畫小麥 ·······································36
畫法講解２ 畫富士山 ···································37
【作品舉例】 風竹 ··········································39
靈峰 ···········································40
白映 ···········································41
鹽澤玉聖簡歷／個人技法要點 ···························41
墨色之上，寄託時代精神
根岸嘉一郎 --------------------------------------- 42
用具配置／墨的研磨方法／筆 ···························42
調墨重點 ················································42
單側三墨法 ··············································43
板刷的調墨 ··············································44
畫法講解１ 畫雪林 ·······································45
畫法講解２ 畫山脈 ·······································46
【作品舉例】 神橋／寂 ······································48
斷崖奇景（北山崎）／岬角 ···················49
上高地／春天的漁村 ··························50
玫瑰仿製品 ····································51
根岸嘉一郎簡歷／個人技法要點 ·························51
多樣的創作方法
白浪 ------------------------------------------------------------ 52
用具配置／墨的研磨方法／筆 ···························52
調墨重點 濃淡要分別來畫······························52
運筆秘訣 畫古樹 ·······································54
畫法講解 畫牡丹 ·······································55
【作品舉例】 古松 ··········································57
紫藤 ···········································58
石榴 ···········································59
白浪簡歷／個人技法要點 ································59
探究筆墨的可能性
藤崎千雲 ---------------------------------------------- 60
用具配置／墨的研磨方法／筆 ···························60
調墨重點 ················································60
運筆秘訣１ 藏鋒和露鋒 ································61
運筆秘訣２ 點點 ·······································62
畫法講解１ 畫山茶花 ···································63
畫法講解２ 畫石山 ·······································65
【作品舉例】 寒牡丹／秋實 ·································66
彩瞬 ···········································67
雲山 ···········································68
溪聲 ···········································69
藤崎千雲簡歷／個人技法要點 ···························69
用傳統技法表現新主題
藤原六間堂 --------------------------------------- 70
用具配置／墨的研磨方法／筆 ···························70
調墨重點 ················································70
調墨的變化 ··············································71
水分的去除方法／墨的取法①
墨的取法②／水的取法
畫法講解１ 畫雞 ··········································72
畫法講解２ 畫葡萄 ·······································73
【作品舉例】白雪皚皚／威尼斯清晨 ·······················75
雲和月的對話／白樺林 ························76
無言 ···········································77
藤原六間堂簡歷／個人技法要點 ·························77
用澄淨墨色描繪詩情畫意
松井陽水 ---------------------------------------------- 78
用具配置／墨的研磨方法／筆 ···························78
調墨重點 ················································78
畫法講解１ 畫黃昏的威尼斯 ·························79
畫法講解２ 畫聖誕玫瑰 ································81
【作品舉例】 玫瑰 ··········································83
山茶花／貓頭鷹 ·······························84
陣雨 ···········································85
松井陽水簡歷／個人技法要點 ···························85
水墨畫的主要技法 ·······································86
各位畫家平時使用的用具和材料 ·························87
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