水墨畫的黃金法則（簡體書）

本書由在日本深受好評的水墨風景畫家馬豔創作。全書將水墨畫的基礎以24條黃金法則的形式呈現，深入淺出的講解了植物、山水、動物、人物、建築等水墨畫經典元素的繪畫技巧。
全書主要由兩部分構成，第一部分簡要介紹水墨畫黃金法則運用的基礎，包括用作畫前的準備工作、何為水墨畫創作、水墨畫基礎表現技法等一些基本材料和技巧問題的解答。第二部分立足于24條黃金法則，介紹了具體的水墨風景畫的畫法和作品，主要包括花的畫法、山的畫法、樹木的畫法、瀑布的畫法、靜物的畫法、鳥的畫法、建築的畫法、貓的畫法、人物的畫法等，其中以畫法解說具體展示了各個主題下細分內容的畫法，如花的畫法的部分就展示了從枝幹到葉片，從花朵到花蕊的詳細步驟演示，在法則中總結繪畫技巧和應當著重注意的細節，並通過最終的應用作品給讀者一個整體觀念。

馬豔，1967年出生於北京。畢業於中央美術學院，水墨畫、油畫、藝術評論專業，學習了油畫和中國畫。世界少年兒童藝術中心(美國)主辦的《21世紀少年兒童藝術展》評審員。2006年起擔任馬驍水墨畫協會所屬的“豔墨會”主辦人。2008年起多次舉辦包括《Bappaka獅子舞展》《野田市非物質文化遺產展》《野田的祭典》《龍神》《天地人》《Ballade》《Rouge(紅)&Noir(黑)·為墨添彩》《Noir(黑)&Blanc(白)·為墨添彩》等畫展。2012 年東京新聞報千葉版《千葉特色》中刊登了馬豔特輯(4月23日)。2014年加入日本美術家聯盟，成為正式會員。並有多部作品應邀參加公開展覽。

序
第１章 法則的基礎··························7
作畫前的準備工作···································8
作畫用具·······································8
筆·墨·紙·硯····································8
畫具的擺放······································9
磨墨的方法······································9
法則１墨分五色··································9
筆墨的運用方法····································10
執筆的方法······································11
法則２掌握能靈活用筆的執筆方法····················11
調墨的方法······································12
運筆的基礎······································14
法則３從“書畫同源”中學習·························15
先畫畫看吧······································16
枯草蜻蜓的畫法····································16
法則４用題款為畫作收尾······························19
何為水墨畫創作····································20
法則５掌握水墨畫的基本三要素·······················21
水墨畫基礎表現技法··································22
紅蕪菁的畫法 ····································22
法則６用筆要有緩急變化······························23
筆頭草的畫法·····································24
法則７在構圖取景上下功夫 ···························25
金魚的畫法······································26
法則８自學也要有計劃性······························28
黑天鵝的畫法·····································29
法則９有飛白方現水墨意境···························31
法則10畫面要有濃淡之分······························31
第２章 實踐與應用――不同題材的畫法·························33
花的畫法·······································34
畫法解說Ⅰ 盛放的白薔薇·······························34
法則11白色花朵的表現技法···························36
畫法解說Ⅱ 牡丹···································38
山的畫法·······································44
畫法解說Ⅲ 北阿爾卑斯山遠望·····························44
法則12風景畫的構圖始於底稿·························45
法則13活用濃墨的表現效果···························46
法則14暈染的技法要點·······························46
樹木的畫法······································50
法則15特殊技法――留白法···························51
瀑布的畫法 ·····································54
法則16活用留白的效果·······························55
靜物的畫法 ·····································56
畫法解說Ⅳ 父親的贈禮································56
法則17從生活中尋找繪畫題材·························57
鳥的畫法·······································60
畫法解說Ⅴ 飛翔···································60
法則18起筆順序的原則·······························61
建築的畫法······································66
法則19表現遠近感的方法······························68
法則20野外寫生的方法·······························69
貓的畫法·······································70
畫法解說Ⅵ 暹羅貓··································70
法則21繪製動物時的要點······························71
人物的畫法······································74
法則22培養“畫心”·······························77
創作入門·······································82
法則23特殊畫具的使用方法···························83
法則24用色彩為水墨增色······························84
作者簡介·······································87