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當代策展藝術及實踐:身體、性別、科技
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當代策展藝術及實踐:身體、性別、科技

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當代策展藝術及實踐:身體、性別、科技

這本專書集結陳明惠從2010年到2017年所策畫的8個國際藝術展覽,包含超過60位藝術家精湛的當代藝術創作。本書所收錄的展覽探討藉著科技之急速發展,科技藝術在視覺藝術界漸成為一重要創作形式,而藝術家作品涉及性別意識者,亦不同於過去早期女性主義者的創作思維,當代藝術家藉著科技與新媒體之運用,以一種不同於過去藝術家之創作手法,來審視並呈現性別議題。透過當代展覽策畫,陳明惠呈現在數位化時代的新美學中,身體、性別議題已不同於過去的角度被策展人與藝術家解讀與探討。

The Art of Contemporary Curation and Its Realisation:
Body,Gender and Technology

This book features eight exhibitions curated by Ming Turner between 2010 and 2017.They cover inspiring artworks created by more than 60 artists from around the world.In line with the ongoing and rapid development of technology,the exhibition introduced in this book explore the fact that technological art has become an essential artistic style in the field of visual art.Artworks dealing with the ideology of gender,have been re-examinig the discourses of gender from a number of different perspectives.Through contemporary curation,Ming Turner explores how both curator and artists have re-fashioned the issues of body and gender through the 'new aesthetics' embodied in the era of digitality and technology.

作者簡介

陳明惠
國立成功大學創意產業設計研究所、科技藝術碩士學位學程副教授,成大藝術中心展覽組組長。英國羅芙堡大學藝術史及理論哲學博士(英國政府ORS海外學人獎學金)。
曾任教於英國德蒙特福德大學,教授「批判與文本」,並受聘為美國紐約跨藝術機構之訪問教師。以中、英文出版多篇文章於國際重要期刊與學術專書,包含:《East Asian Journal of Popular Culture》(2016)、《Else Art Journal》(2014)、《Triennial City》(曼特斯特:角落屋出版社,2014)、《n.paradoxa》(2010、2012)、《西方女性研究》(北京:人民大學出版社,2011)、《Gender and Women's Leadership》(Sage,2010),主編《跨界:當代藝術中的游轉與鄉愁》(典藏,2015)。同時是國際策展人,已完成多個策展計劃。

Ming Turner is an Associate Professor at the Institute of Creative Industries Design and Techono Art Program at National Cheng Kung University(NCKU),and is also the Head of Exhibition at NCKU Art Centre. She was awarded her PhD in Art History and Theory at Loughborough University,UK.She lectured Critical and Contextual Studies at De Montfort University,UK,and was a visiting faculty at Transart Institute in New York.She has published widely in both English and Chinese,including East Asian Journal of Popular Culture(2016),Else Art Journal(2014),Triennial City(Manchester:Cornerhouse,2014),n.paradoxa(2010,2012),Women's Studies in the West(Beijing:People's University Press,2011),Gender and Women's Leadership(Sage,2010).She is also the main editor of Crossing Borders:Transition and Nostalgia in Contemporary Art (with Dr.Outi Remes,2015).As a curator,she has completed several international projects.

目次

目次

自序 Preface
導論:策展作為一種當代藝術實踐的學門
Introduction:Curation as a Discourse of Contemporary Art Practice
策展理念:當代藝術中的身體、性別與科技
Curatorial Concepts:Body,Gender and Technology in Contemporary Art
1.後人類慾望
Post-humanist Desire
2.身體風景:派翠西亞‧匹斯尼尼
Bodyscape:Patricia Piccinini
3.表相皮膚:英國藝術家費爾‧賽耶
Surface Epidermis:Phill Sayers
4.林佩淳個展《夏娃克隆創造計劃》
Pey-Chwen Lin:Making of Eve Clone Series
5.0&1:數位空間與性別神話
0&1:Cyberspace and the Myth of Gender
6.可蘭經‧頌:挪威當代藝術家安‧蘭
Qu'Ran Chorus:Ane Lan
7.台灣數位藝術派流計劃-脈波壹「身體‧性別‧科技」數位藝術展
Taiwan Digital Art Pulse Stream Plan:The First Phase"Body,Gender,Techonology'Digital Art Exhibition
8.台灣數位藝術脈流計劃-脈波貳「未來之身」數位藝術展
Taiwan Digital Art Pulse Stream Plan:The Second Phase Next Body'Digital Art Exhibition

後記 Final Remarks
作者簡歷 About the Author
策展年表 Curatorial Timeline

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