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新編美國文學教程(新經典高等學校英語專業系列教材)(簡體書)
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新編美國文學教程(新經典高等學校英語專業系列教材)(簡體書)

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優惠價:87312
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《新經典高等學校英語專業系列教材:新編美國文學教程》以作品選讀為主,輔以簡明的文學史概述。全書甄選了40位作家及其作品,適當增加了現當代作家的分量,以增強學習者對現當代美國文學的理解和思考;對文學論文的三種寫作類型進行了講解,并提供范文和論文寫作話題,指導千字左右課程論文的寫作;用中文注釋具有文化歷史意義的背景知識以及早期文本中的特殊語言現象,幫助學習者深入理解作品,拓寬文化視野。

作者簡介

趙文書,博士,南京大學外國語學院教授,現任英語系主任,兼任全國美國文學研究會副秘書長,中國外國文學學會英語文學分會常務理事,北外英語學院華裔美國文學研究中心客座研究員。主要研究方向為華裔美國文學、英美詩歌和計算機輔助英語教學。

名人/編輯推薦

《新編美國文學教程》甄選了40位作家及其作品,適當增加了現當代作家的分量,如Louise Erdrich、ElizabethBishop、Li-Young Lee(袁世凱曾外孫)等,以增強時代感,提高學習者的閱讀興趣。本書專門講解了文學論文的三種基本寫作類型,即文本細讀、文學分析和對比研究,并提供范文和論文寫作話題,指導學習者寫出千詞左右的課程論文,綜合提高其語言能力、研究能力和思辨能力。本書用中文注釋具有文化歷史意義的背景知識和早期文本中的特殊語言現象,幫助學習者深入理解作品,拓展文化視野,把握作品的文學特征并思考其文化歷史意義。對于英語專業的學生和廣大文學愛好者來說,《新編美國文學教程》是一本具有較強指導意義的美國文學教材。

目次

Part I The Origin and Development of American Literature (Beginnings to 1860)
Unit 1 Benjamin Franklin (1706–1790)
The Autobiography (excerpt)
Unit 2 Ralph Waldo Emerson (1803–1882)
The American Scholar (excerpt)
Unit 3 Nathaniel Hawthorne (1804–1864)
Young Goodman Brown
Unit 4 Edgar Allan Poe (1809–1849)
The Tell-Tale Heart
Unit 5 Henry David Thoreau (1817–1862)
Where I Lived, and What I Lived For
Unit 6 Frederick Douglass (1818–1895)
Narrative of the Life of Frederick Douglass (excerpt)
Unit 7 Herman Melville (1819–1891)
Bartleby, the Scrivener
Part I The Origin and Development of American Literature (Beginnings to 1860)
Unit 1 Benjamin Franklin (1706–1790)
The Autobiography (excerpt)
Unit 2 Ralph Waldo Emerson (1803–1882)
The American Scholar (excerpt)
Unit 3 Nathaniel Hawthorne (1804–1864)
Young Goodman Brown
Unit 4 Edgar Allan Poe (1809–1849)
The Tell-Tale Heart
Unit 5 Henry David Thoreau (1817–1862)
Where I Lived, and What I Lived For
Unit 6 Frederick Douglass (1818–1895)
Narrative of the Life of Frederick Douglass (excerpt)
Unit 7 Herman Melville (1819–1891)
Bartleby, the Scrivener
Unit 8 19th Century American Poets
Henry Wadsworth Longfellow (1807–1882) / A Psalm of Life
Edgar Allan Poe (1809–1849) / Annabel Lee
Walt Whitman (1819–1892) / Song of Myself (excerpt)
Emily Dickinson (1830–1886) / Because I Could Not Stop for Death
Part II American Literature Between the Civil War and the FirstWorld War(1860–1914)
Unit 9 Mark Twain (1835–1910)
The Celebrated Jumping Frog of Calaveras County
Unit 10 Henry James (1843–1916)
The Real Thing
Unit 11 Kate Chopin (1851–1904)
A Respectable Woman
Unit 12 Theodore Dreiser (1871–1945)
Sister Carrie (excerpt)
Unit 13 Upton Sinclair (1878–1968)
The Jungle (excerpt)
Part III American Literature Between the Two World Wars (1914–1945)
Unit 14 Eugene O’Neill (1888–1953)
Desire Under the Elms (excerpt)
Unit 15 Zora Neale Hurston (1891–1960)
Sweat
Unit 16 F. Scott Fitzgerald (1896–1940)
The Great Gatsby (excerpt)
Unit 17 William Faulkner (1897–1962)
A Rose for Emily
Unit 18 Ernest Hemingway (1899–1961)
Soldier’s Home
Unit 19 John Steinbeck (1902–1968)
The Grapes of Wrath (excerpt)
Unit 20 20th Century American Poets (I)
Robert Frost (1874–1963) / The Road Not Taken
Carl Sandburg (1878–1967) / Chicago
Wallace Stevens (1879–1955)
……

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"Why, yes. I was in the Ninth Machine-Gun Battalion."
"I was in the Seventh Infantry until June nineteen-eighteen. I knew Id seenyou somewhere before."
We talked for a moment about some wet, grey little villages in France.
Evidently he lived in this vicinity for he told me that he had just bought a hydroplaneand was going to try it out in the morning.
"Want to go with me, old sport"? Just near the shore along the Sound."
"What time?"
"Any time that suits you best."
It was on the tip of my tongue to ask his name when Jordan looked around andsmiled.
"Having a gay time now?" she inquired.
"Much better." I turned again to my new acquaintance. "This is an unusualparty for me. I havent even seen the host. I live over there-" I waved my hand atthe invisible hedge in the distance, "and this man Gatsby sent over his chauffeurwith an invitation."
For a moment he looked at me as if he failed to understand.
"Im Gatsby," he said suddenly.
"What!" I exclaimed. "Oh, I beg your pardon."
"I thought you knew, old sport. Im afraid Im not a very good host."
He smiled understandingly-much more than understandingly. It was oneof those rare smiles with a quality of eternal reassurance in it, that you may comeacross four or five times in life. It faced-or seemed to face-the whole externalworld for an instant, and then concentrated on you with an irresistible prejudice inyour favor. It understood you just so far as you wanted to be understood, believedin you as you would like to believe in yourself and assured you that it had preciselythe impression of you that, at your best, you hoped to convey. Precisely at that pointit vanished-and I was looking at an elegant young rough-neck, a year or two overthirty, whose elaborate formality of speech just missed being absurd. Some timebefore he introduced himself Id got a strong impression that he was picking hiswords with care.

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