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書中有些詩作則出自一種「自然的壓倒一切之冷漠」的想法，因為自然對立於自戀的社會與宗教而做出客觀的反應。拜麗耶的作品帶有強烈的自然觀，而她對動物的超乎人類體驗的看法也極有興趣。目前，她正在根據其飼養馬的日常生活經驗而創作一部新詩集。拜麗耶居住在瑞典北方森林中的一個小農場裡。
Aase Berg was born in Sweden in 1967. She is a poet and a literary critic, and has received literary awards in Sweden and Germany. Her works have been translated into several languages. In USA she has four books published. Her early books, With Deer (1997) and Dark Matter (1999),are surrealist-influenced collections of dark, hallucinatory, apocalyptic, grotesque and gurlesque prose poetry. Later, she started writing dense, short poems with experimental language, and published The Mommy Trilogy, based on her experience of being a mother—pregnancy, the fear of loss and the happiness of kids playing. Her latest book is the most political one, even though all of her poetry collections are political in certain ways; for example, she tries to reveal the lies of the modern economy and its consequenses in everyday life through a kind of marketing vocabulary. In her latest book, she puts the words of global politics in a choir of weirdly confused and dyslectic chickens.
The book also contains poems inspired by an idea of “the overwhelming indifference of nature,” as nature acts objectively against narrcissistic society and religion. Through all her poetry collections there is also a strong notion of nature, and she is very interested in the perception of animals beyond the human experience. At the moment she is working on a poetry collection based on her everyday life with horses.
Aase Berg is based in the north of Sweden. She lives on a small farm in the woods.
目次
1.伊沃的面孔 The Face of Ivo 8
2.克列瑪德克海溝 The Kermadec Grave 14
3.在反應堆裡 IN Reactor 20
4.孔鯨 Hole Whale 26
5.生下橡膠 Birth Rubber 29
6.食肉鯨－ Blubber Biter－ 32
7.胡桃 Whalenut 35
8.母鯨 Mom Choice 38
9.銜尾蛇 Ouroboros 41
10.透明的龍風箏 See-through Dragon 45
11.沉入 Sink in 49
12.無底的基礎通道 Bottomless Bassline 52
13.靜物 stiff Life 55
14.謎團的家園 Enigmat Heimat 58
15.挖泥裝置 Dredging 61
16.越過自由路 Travelover Freeway 65
17.過載 Overcarried 68
18.司機 The Driver 72
19.疼痛測量機 Pain Meter 75
20.因德利德．寇爾德 Indrid Cold 78
21.無物互相理解 Nobody Understands Each Other 82
22.活兒 Pottering 86
23.森林之眼 Forest Eye 89
24.貓身上靜立動作的戰爭 The Stillstanding Movement Around the Cat 92
25.石頭 The Stone 95
26.母雞們的氣息 The Hens’ Breaths 98
27.母雞合唱團: The Hen Choir: 101
書摘/試閱
伊沃的面孔
在一個鋼鐵中經歷數個畫夜扭曲的大教堂中面對伊沃的面孔。
朝這些維度上伊沃可以攀登到最高摩天塔軌道中的深藍色──沿那些幾何方向的指路棒朝著那個沉重的自我。
這塊大陸沿著地基的絕壁緩慢地傾倒。會有人類出走的更多空間嗎？大教堂在板塊這裏落錨，圆柱栽入海中。二十世紀九十年代這裏有過石油。遣棄的廳堂咆哮著澄清透明的空蕩，這裏甚至缺少海市蜃樓現象。石油鎮塔的巨大鑭頭在深處碎成齏粉。在滑空的海洋動脈裏己經沒有任何東西可以獲取。
在較高大氣層各層次的風之間玩弄。夜晚發光的虹霓中雲彩有著在光譜中對立的秩序。
龐大距離的眩暈之下這些維度彎曲起來。
在我雙手死亡般平靜的水乳下面對著伊沃的面孔玩弄。
(陳邁平譯)
譯註：
標題中的「伊沃」(lvo)，據詩人自己介紹，只是自己創造的名字，聽起來如古代 神話人物，能馳聘宇宙，這種顯然非瑞典化的名字也是希望給讀者一種超民族
的感覺，進入符合詩歌內容的更大空間的想像。「水乳」(vattenmjölk)一詞在瑞
典語中本不存在，為詩人自己創造，用「水」(vatten)和「奶」或「乳汁」(mjölk)
這兩個詞拼成。沃瑟．拜麗耶作為超現實主義詩人，其詩歌特點之一就是創造自己的詞彙，表現超越現實的意象，讀者應予特別注意。
The Face of Ivo
Against the face of Ivo in a cathedral of writhing through days and nights in the steel.
Ivo can climb gloom-blue up through the dimensions in the girders of the highest
The continent tips slowly into the base chasm. Is there any outer space where people can go? Here by the platform, the cathedrals are anchored with pillars in the ocean. There was oil here in the 1990s. Abandoned halls howl bell-clean empty, there is even a lack of mirage phenomena. The oil tower’s coarse drills grind in the depth. There is nothing to collect from the emptied ocean-pulse vein.
Flutter of strata between the winds of the higher skies. The spectrum of the night-glowing bow has the opposite order.
Dimensions bent from incredible distance-vertigo.
Flutter against the face of Ivo beneath my hands’deadly calm water milk.
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