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商品簡介
The essays cover topics ranging from cruelty in documentary to the representation of Beijing; gay, lesbian and queer documentary; sound in documentary; the exhibition context in China; authorial intervention and subjectivity; and the distinctive "on the spot" aesthetics of contemporary Chinese documentary. This volume will be critical reading for scholars in disciplines ranging from film and media studies to Chinese studies and Asian studies.
作者簡介
Chris Berry is the professor of film and television studies in the Department of Media and Communication at Goldsmiths, University of London.
Lu Xinyu is professor and director of the Broadcasting and Television Department of the Journalism School at Fudan University in Shanghai.
Lisa Rofel is professor of anthropology at the University of California, Santa Cruz.
名人/編輯推薦
"This volume is well worth the wait to have so definitive, comprehensive, and intelligent a collection on one of the most exciting film movements today — the New Chinese Documentary Film Movement — with writings by a 'who's who' of scholars and filmmakers that cover key issues of identity, realism, spectatorship and counter-publics. Its clarity and range make it accessible across a number of fields, from cinema studies, media studies, and East Asian studies, to those interested in gender, performance, and archives. The Appendix with biographies of key documentarians makes this book a classic before its time." — Faye Ginsburg, New York University
"Essential reading, this superb introduction to Chinese documentary is a model of how to translate, not merely a language, but an entire culture, cinema, context, and aesthetics. Its 'public record' constitutes a veritable call to arms for the future of digital documentation everywhere." — B. Ruby Rich, University of California, Santa Cruz
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