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“A timely volume addressing issues of hydro-politics, eco-aesthetics, manufactured landscape, and bioethics, Chinese Ecocinema charts a new direction for film studies and establishes cinema as a vital force in renegotiating fractured relationships among nature, history, technology, and culture, as it gestures toward a place-bound ideal of planetarianism.” -- Yingjin Zhang, University of California, San Diego
“This impressive volume, with leading contributors from a wide variety of intellectual disciplines, unites two of the ‘hottest’ areas in scholarly research, media reporting, and popular interest: Cinema Studies and the Ecological Crisis facing our planet. Ironically, Mao’s emphasis on the importance of man over nature, and the post-Mao reformers’ emphasis on breakneck economic development above all else, have both been devastating to China’s ecosystem. While Chinese filmmakers, beginning in the 1980s, had already begun to address these serious environmental problems, scholarly research has thus far lagged in noting the intersection between ecology and film. As the editors accurately note, this volume is the first shot in what is intended to be nothing less than a new critical paradigm in Chinese film studies.” -- Stanley Rosen, University of Southern California
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