商品簡介
目次
Abstract
內容提要
Chapter 1 Introduction
1.1 The rationale of the study
1.2 Obiectives of the study
1.3 Methodology of the study
1.4 Outline of the book
Chapter 2 Stylistics ofdrAmA: The state of the art
2.1 The pre-stylistic period
2.1.1 The traditional literary critical approach
2.1.2 The rhetorical-poetic approach
2.2 The early stylistic period: The poetic-fictional approach
2.3 The pragmatic and discourse analysis period: The study of the
dialogue
2.4 The pragmastylistic period: Ttie study of stage directions
2.5 A comparison and contrast of the different approaches
2.6 Summary
Chapter 3 Pragnmtics as a perspective on climatic terns
3.1 The view of pragmatics as a tool kit
3.2 The view of pragrnatics as a perspective on language
3.3 Different contributions of discourse analysis and pragmatics to stylistics of drama
3.4 A pragmatic perspective on dramatic texts
3.4.1 The phonological level
3.4.2 The semantic level
3.5 Summary
Chapter 4 Stage directiom as an important object for stylistic analyais
4.1 Some theoretical preliminaries
4.1.1 Which is the object of stylistics of drama, text or perform- ance?
4.1.2 The double-level structure of the dramatic discourse
4.1.3 The production and comprehension of dramatic message
4.1.4 Speech, act, and semiotics
4.1.5 Video discourse analysis and visualized discourse analysis
4.2 Stage directions as an important object for stylistic analysis
4.2.1 Deletion and substitution: A way to elicit the importance of stage directions for stylistics of drama
4.2.2 Stage directions in classical plays
4.3 Summary
Chapter 5 From page to stage: A pragastylvstic perspective on stage directions
5.1 Pragmastylistics of drama: An integrated theory
5.1.1 Defining pragmastylistics of drama
5.1.2 Research questions drama pragmastylisticians attempt to answer
5.1.3 The procedure for pragmastylistic analysis of dramatic texts
5.2 A pragmastylistic perspective on stage directions of drama
5.2.1 A pragmastylistic perspective on stage directions
5.2.2 An analytical procedure of stage directions
5.2.3 Analyzing and tagging the stage direction unit: An example
5.3 Summary
Chapter 6 Characteriztion revealed in stage diretxiom
6.1 Introduction
6.1.1 Yus stylistic study of the play
6.1.2 My research questions
6.2 Methodology
6.2.1 Samples for analysis
6.2.2 Process of analysis
……
Chapter 7 Conclusion
References
Appendix
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