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With the flourish and fruition of the twentieth-century intercultural theatre, critics, theorists as well as practitioners have advanced theories and models that explicate this phenomenon, and provide critical insights and sophisticated analyses.
In spite of their universalist or essentialist presumptions, the social, historical, cultural, political and ideological factors of the twentieth-century intercultural theatre are often ignored or downplayed.
This book will appeal to a broad range of readers including academics and students in theatre, performance, and cultural studies. It will also be of interest to a general audience of Chinese culture and intercultural communication.
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