In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book, first published in 2003, provides an introduction to major figures such as Seamus Heaney, and also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Nuala Ní Dhomhnaill and Paul Muldoon. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.
The story of Irish modernism constitutes a remarkable chapter in the movement's history. This volume serves as an incisive and accessible overview of that brilliant period in which Irish artists not only helped to create a distinctive nationalist literature but also changed the face of European and anglophone culture. This Companion surveys developments in modernist poetry, drama, fiction and the visual arts. Early innovators, such as Oscar Wilde, George Bernard Shaw, Jack B. Yeats and James Joyce, as well as late modernists, including Elizabeth Bowen, Samuel Beckett, Flann O'Brien, Máirtín Ó Cadhain and Francis Bacon, all appear here. Significantly, however, this volume ranges beyond such iconic figures to open up new ground with chapters on Irish women modernists, Irish American modernism, Irish language modernism and the critical reception of modernism in Ireland.
The story of Irish modernism constitutes a remarkable chapter in the movement's history. This volume serves as an incisive and accessible overview of that brilliant period in which Irish artists not only helped to create a distinctive nationalist literature but also changed the face of European and anglophone culture. This Companion surveys developments in modernist poetry, drama, fiction and the visual arts. Early innovators, such as Oscar Wilde, George Bernard Shaw, Jack B. Yeats and James Joyce, as well as late modernists, including Elizabeth Bowen, Samuel Beckett, Flann O'Brien, Máirtín Ó Cadhain and Francis Bacon, all appear here. Significantly, however, this volume ranges beyond such iconic figures to open up new ground with chapters on Irish women modernists, Irish American modernism, Irish language modernism and the critical reception of modernism in Ireland.
The Cambridge Companion to Postcolonial Poetry is the first collection of essays to explore postcolonial poetry through regional, historical, political, formal, textual, gender, and comparative approaches. The essays encompass a broad range of English-speakers from the Caribbean, Africa, South Asia, and the Pacific Islands; the former settler colonies, such as Canada, Australia, and New Zealand, especially non-Europeans; Ireland, Britain's oldest colony; and postcolonial Britain itself, particularly black and Asian immigrants and their descendants. The comparative essays analyze poetry from across the postcolonial anglophone world in relation to postcolonialism and modernism, fixed and free forms, experimentation, oral performance and creole languages, protest poetry, the poetic mapping of urban and rural spaces, poetic embodiments of sexuality and gender, poetry and publishing history, and poetry's response to, and reimagining of, globalization. Strengthening the place of poetry in po
Ireland has rarely been out of the news during the past thirty years. Whether as a war-zone in which Catholic nationalists and Protestant Unionists struggled for supremacy, a case study in conflict resolution or an economy that for a time promised to make the Irish among the wealthiest people on the planet, the two Irelands have truly captured the world's imagination. Yet single-volume histories of Ireland are rare. Here, Thomas Bartlett, one of the country's leading historians, sets out a fascinating new history that ranges from prehistory to the present. Integrating politics, society and culture, he offers an authoritative historical road map that shows exactly how – and why – Ireland, north and south, arrived at where it is today. This is an indispensable guide to both the legacies of the past for Ireland's present and to the problems confronting north and south in the contemporary world.
From the first book printed in Ireland in the sixteenth century, to the globalised digital media culture of today, Christopher Morash traces the history of forms of communication in Ireland over the past four centuries: the vigorous newspaper and pamphlet culture of the eighteenth century, the spread of popular literacy in the nineteenth century, and the impact of the telegraph, telephone, phonograph, cinema and radio, which arrived in Ireland just as the Irish Free State came into being. Morash picks out specific events for detailed analysis, such as the first radio broadcast, during the 1916 Rising, or the Live Aid concert in 1985. This book breaks ground within Irish studies. Its accessible narrative explains how Ireland developed into the modern, globally interconnected, economy of today. This is an essential and hugely informative read for anyone interested in Irish cultural history.
From the first book printed in Ireland in the sixteenth century, to the globalised digital media culture of today, Christopher Morash traces the history of forms of communication in Ireland over the past four centuries: the vigorous newspaper and pamphlet culture of the eighteenth century, the spread of popular literacy in the nineteenth century, and the impact of the telegraph, telephone, phonograph, cinema and radio, which arrived in Ireland just as the Irish Free State came into being. Morash picks out specific events for detailed analysis, such as the first radio broadcast, during the 1916 Rising, or the Live Aid concert in 1985. This book breaks ground within Irish studies. Its accessible narrative explains how Ireland developed into the modern, globally interconnected, economy of today. This is an essential and hugely informative read for anyone interested in Irish cultural history.
Ina Ferris examines the way in which the problem of 'incomplete union' generated by the formation of the United Kingdom in 1800 destabilised British public discourse in the early decades of the nineteenth century. Ferris offers the first full-length study of the chief genre to emerge out of the political problem of Union: the national tale, an intercultural and mostly female-authored fictional mode that articulated Irish grievances to English readers. Ferris draws on current theory and archival research to show how the national tale crucially intersected with other public genres such as travel narratives, critical reviews and political discourse. In this fascinating study, Ferris shows how the national tales of Morgan, Edgeworth, Maturin, and the Banim brothers dislodged key British assumptions and foundational narratives of history, family and gender in the period.
Irish emigration to America is one of the clichés of modern Irish history; much less familiar is the reverse process. Who were the people who chose to return to Ireland? What motivated them? How did this affect Irish society? While many European countries were somewhat Americanised in this period, the Irish case was unique as so many Irish families had members in America. The most powerful agency for Americanisation, therefore, was not popular culture but circumstantial knowledge and personal contact. David Fitzpatrick demonstrates the often unexpected ways in which the reverse effects of emigration remoulded Irish society, balancing original demographic research with fascinating individual profiles to assemble a vivid picture of a changing Ireland. He explores the transformative impact of reverse migration from America to post-Famine Ireland, and offers penetrating insights into its growing population of American-born residents.
Over the last two centuries, Ireland has produced some of the world's most outstanding and best-loved poets, from Thomas Moore to W. B. Yeats to Seamus Heaney. This introduction not only provides an essential overview of the history and development of poetry in Ireland, but also offers new approaches to aspects of the field. Justin Quinn argues that the language issues of Irish poetry have been misconceived and re-examines the divide between Gaelic and Anglophone poetry. Quinn suggests an alternative to both nationalist and revisionist interpretations and fundamentally challenges existing ideas of Irish poetry. This lucid book offers a rich contextual background against which to read the individual works, and pays close attention to the major poems and poets. Readers and students of Irish poetry will learn much from Quinn's sharp and critically acute account.
Over the last two centuries, Ireland has produced some of the world's most outstanding and best-loved poets, from Thomas Moore to W. B. Yeats to Seamus Heaney. This introduction not only provides an essential overview of the history and development of poetry in Ireland, but also offers new approaches to aspects of the field. Justin Quinn argues that the language issues of Irish poetry have been misconceived and re-examines the divide between Gaelic and Anglophone poetry. Quinn suggests an alternative to both nationalist and revisionist interpretations and fundamentally challenges existing ideas of Irish poetry. This lucid book offers a rich contextual background against which to read the individual works, and pays close attention to the major poems and poets. Readers and students of Irish poetry will learn much from Quinn's sharp and critically acute account.
Over the past thirty five years population history has been one of the most important growth areas within the flourishing field of social and economic history. Our understanding of demographic history in the period before the Industrial Revolution has been transformed. The amount of literature which has been produced is daunting both in its volume and its complexity. In this concise volume for students Dr Houston reviews the literature and explains the different population trends evident in parts of Britain and Ireland. He sets out the sometimes complex interactions between fertility, nuptiality, morality and migration in a clear and comprehensible way, and explains why the mechanisms which balanced population and resources in England were not found in Scotland and Ireland.
Over the past thirty five years population history has been one of the most important growth areas within the flourishing field of social and economic history. Our understanding of demographic history in the period before the Industrial Revolution has been transformed. The amount of literature which has been produced is daunting both in its volume and its complexity. In this concise volume for students Dr Houston reviews the literature and explains the different population trends evident in parts of Britain and Ireland. He sets out the sometimes complex interactions between fertility, nuptiality, morality and migration in a clear and comprehensible way, and explains why the mechanisms which balanced population and resources in England were not found in Scotland and Ireland.
A History of Irish Modernism examines a wide variety of artworks (from the 1890s to the 1970s), including examples from literature, film, painting, music, radio, and architecture. Each chapter considers a particular aspect of Irish culture and reflects on its contribution to modernism at large. In addition to new research on the Irish Revival and cultural nationalism, which places them squarely in the modernist arena, chapters offer transnational and transdisciplinary perspectives that place Irish cultural production in new contexts. At the same time, the historical standpoint adopted in each chapter enables the contributors to examine how modernist practices developed across geographical and temporal distances. A History of Irish Modernism thus attests to the unique development of modernism in Ireland - driven by political as well as artistic concerns - even as it embodies aesthetic principles that are the hallmark of modernism in Europe, the Americas and beyond.
A History of Irish Autobiography is the first ever critical survey of autobiographical self-representation in Ireland from its recoverable beginnings to the twenty-first century. The book draws on a wealth of original scholarship by leading experts to provide an authoritative examination of autobiographical writing in the English and Irish languages. Beginning with a comprehensive overview of autobiography theory and criticism in Ireland, the History guides the reader through seventeen centuries of Irish achievement in autobiography, a category that incorporates diverse literary forms, from religious tracts and travelogues to letters, diaries, and online journals. This ambitious book is rich in insight. Chapters are structured around key subgenres, themes, texts, and practitioners, each featuring a guide to recommended further reading. The volume's extensive coverage is complemented by a detailed chronology of Irish autobiography from the fifth century to the contemporary era, the firs
This volume of The New Cambridge Medieval History covers most of the period of Frankish and Carolingian dominance in western Europe. Adopting an interdisciplinary approach, the authors consider developments in Europe as a whole, from Ireland to the Bosphorus and Iceland to Gibraltar. The chapters offer an examination of the interaction between rulers and ruled, of how power and authority actually worked, and of the impact of these on the society and culture of Europe as a whole. The volume is divided into four parts. Part I encompasses the events and political developments in the whole of the British Isles, the west and east Frankish kingdoms, Scandinavia, the Slavic and Balkan regions, Spain, Italy, and those aspects of Byzantine and Muslim history which impinged on the west between c.700 and c.900. Parts II, III and IV cover common themes and topics within the general categories of government and institutions, the church and society, and cultural and intellectual development.
This volume of The New Cambridge Medieval History covers most of the period of Frankish and Carolingian dominance in western Europe. Adopting an interdisciplinary approach, the authors consider developments in Europe as a whole, from Ireland to the Bosphorus and Iceland to Gibraltar. The chapters offer an examination of the interaction between rulers and ruled, of how power and authority actually worked, and of the impact of these on the society and culture of Europe as a whole. The volume is divided into four parts. Part I encompasses the events and political developments in the whole of the British Isles, the west and east Frankish kingdoms, Scandinavia, the Slavic and Balkan regions, Spain, Italy, and those aspects of Byzantine and Muslim history which impinged on the west between c.700 and c.900. Parts II, III and IV cover common themes and topics within the general categories of government and institutions, the church and society, and cultural and intellectual development.
The first volume of The New Cambridge Medieval History covers the transitional period between the later Roman world and the early middle ages, c.500 to c.700. This was an era of developing consciousness and profound change in Europe, Byzantium and the Arab world, an era in which the foundations of medieval society were laid and to which many of our modern myths of national and religious identity can be traced. This book offers a comprehensive regional survey of the sixth and seventh centuries, from Ireland in the west to the rise of Islam in the Middle East, and from Scandinavia in the north to the Mediterranean south. It explores the key themes pinning together the history of this period, from kingship, trade and the church, to art, architecture and education. It represents both an invaluable conspectus of current scholarship and an expert introduction to the period.
A new edition of Hugh Kearney's classic account of the British Isles from pre-Roman times to the present. The author takes into account the recent historiographical renaissances in Wales, Ireland and
