The Mathematics of the Heavens and the Earth is the first major history in English of the origins and early development of trigonometry. Glen Van Brummelen identifies the earliest known trigonometric precursors in ancient Egypt, Babylon, and Greece, and he examines the revolutionary discoveries of Hipparchus, the Greek astronomer believed to have been the first to make systematic use of trigonometry in the second century BC while studying the motions of the stars. The book traces trigonometry's development into a full-fledged mathematical discipline in India and Islam; explores its applications to such areas as geography and seafaring navigation in the European Middle Ages and Renaissance; and shows how trigonometry retained its ancient roots at the same time that it became an important part of the foundation of modern mathematics.The Mathematics of the Heavens and the Earth looks at the controversies as well, including disputes over whether Hipparchus was indeed the father of trigonom
Acting Out is the first appearance in English of two short books published by Bernard Stiegler in 2003. In How I Became a Philosopher, he outlines his transformation during a five-year period of incar
Chang (English, U. of Missouri) tells one part of the story of how vision became subjective, material, and therefore modern in 19th-century Britain, not by looking at some new technologies, but by foc
Before lesbianism became a specific identity category in the West, its mere suggestion functioned as a powerful source of scandal in early twentieth-century British and Anglo-American culture. Reconsidering notions of the 'invisible' or 'apparitional' lesbian, Jodie Medd argues that lesbianism's representational instability, and the scandals it generated, rendered it an influential force within modern politics, law, art and the literature of modernist writers like James Joyce, Ezra Pound and Virginia Woolf. Medd's analysis draws on legal proceedings and parliamentary debates as well as crises within modern literary production - patronage relations, literary obscenity and cultural authority - to reveal how lesbian suggestion forced modern political, cultural and literary institutions to negotiate their own identities, ideals and limits. Medd's text will be of great interest to scholars and graduate students in gender and women's studies, modernist literary studies and English literature
This analysis of royal marriage cases across seven centuries explains how and how far popes controlled royal entry into and exits from their marriages. In the period between c.860 and 1600, the personal lives of kings became the business of the papacy. d'Avray explores the rationale for papal involvement in royal marriages and uses them to analyse the structure of church-state relations. The marital problems of the Carolingian Lothar II, of English kings - John, Henry III, and Henry VIII - and other monarchs, especially Spanish and French, up to Henri IV of France and La Reine Margot, have their place in this exploration of how canon law came to constrain pragmatic political manoeuvring within a system increasingly rationalised from the mid-thirteenth century on. Using documents presented in the author's Dissolving Royal Marriages, the argument brings out hidden connections between legal formality, annulments, and dispensations, at the highest social level.
Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass London, Kingston and Calcutta, Fort Marlborough in Sumatra, St. Helena and Port Jackson in New South Wales as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural tradition through their own performances, as Englishness became also a production of non-English peoples across the globe.
Covering political, military, economic and social history, Norway in the Second World War is the most authoritative book on the subject in the English language. This innovative study describes how the Germans conquered Norway in 1940 and the type of government that was then imposed. German organisations such as the Wehrmacht, the SS and the civilian Reichskommissariat are all presented, along with how they operated during the occupation. Ole Kristian Grimnes examines the Norwegian Nazi Party and the important role that it played during the period, as well as analysing how the Norwegian economy became integrated into the German war economy. The Norwegian resistance (including the Communists) and the Norwegian government-in-exile are explored in detail, while a separate chapter on the Holocaust in both Norwegian and international contexts is also included. As such, Norway in the Second World War is the definitive text on war and Nazi occupation in a nation that has been sorely negl
Shares the colonial history of New York, New Jersey, Pennsylvania, and Delaware, and explains how they became the most diverse set of English colonies in the New World.
Recently, St George has enjoyed a modest revival as a specifically English national symbol. But how became the patron saint of England in the first place has always been a mystery. He was not English,
The beginnings of psychology are usually dated from experimental psychology and Freudian psychoanalysis in the late-nineteenth century. Yet the period from 1700 to 1840 produced some highly sophisticated psychological theorising that became central to German intellectual and cultural life, well in advance of similar developments in the English-speaking world. Matthew Bell explores how this happened, by analysing the expressions of psychological theory in Goethe's Faust, Kant's Critique of Pure Reason, and in the works of Lessing, Schiller, Kleist and E. T. A. Hoffmann. This study pays special attention to the role of the German literary renaissance of the last third of the eighteenth century in bringing psychological theory into popular consciousness and shaping its transmission to the nineteenth century. All German texts are translated into English, making this fascinating area of European thought fully accessible to English readers for the first time.
In 1500 fewer than three million people spoke English; today English speakers number at least a billion worldwide. This book asks how and why a small island people became the nucleus of an empire 'on which the sun never set'. David Rollison argues that the 'English explosion' was the outcome of a long social revolution with roots deep in the medieval past. A succession of crises from the Norman Conquest to the English Revolution were causal links and chains of collective memory in a unique, vernacular, populist movement. The keyword of this long revolution, 'commonwealth', has been largely invisible in traditional constitutional history. This panoramic synthesis of political, intellectual, social, cultural, religious, economic, literary and linguistic movements offers a 'new constitutional history' in which state institutions and power elites were subordinate and answerable to a greater community that the early modern English called 'commonwealth' and we call 'society'.
Why do so many Americans celebrate Shakespeare, a long-dead English poet and playwright? By the nineteenth century newly independent America had chosen to reject the British monarchy and Parliament, class structure and traditions, yet their citizens still made William Shakespeare a naturalized American hero. Today the largest group of overseas visitors to Stratford-upon-Avon, the Royal Shakespeare Company and Bankside's Shakespeare's Globe Theatre come from America. Why? Is there more to Shakespeare's American popularity than just a love of men in doublet and hose speaking soliloquies? This book tells the story of America's relationship with Shakespeare. The story of how and why Shakespeare became a hero within American popular culture. Sturgess provides evidence of a comprehensive nineteenth-century appropriation of Shakespeare to the cause of the American Nation and shows that, as America entered the twentieth century a new world power, for many Americans Shakespeare had become as Am
This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period Latin was regarded as the sacramental language of authority, but in the newly politicized linguistic arena of the late fourteenth century it became a symbol of the potential enemy from Rome. In this book Janette Dillon examines why, during the period 1400 to 1600, other languages increasingly invade English plays, and how their significance is illuminated by developments in Church and state, in particular the advancing Reformation and expanding English nationalism. In marked contrast to other related studies, Dillon focuses on drama as performance and employs a wide range of works, from the mystery cycles to The Spanish Tragedy, and finally Shakespeare.
A general critical study of Sidney's life and works, first published in 1977: his life in relation to his works and both in relation to his age. In the late 1570s and early 1580s, when the literary scene in England was barren, Sidney emerged as the right man at the right moment to establish a national literature. In his Defence of Poetry he formulated a poetic which showed 'why and how' imaginative literature could be written in Protestant England; and in his poetry and prose, chiefly in Astrophel and Stella and the two versions of The Countess of Pembroke's Arcadia, he revealed that the English language was, as he claimed, 'indeed capable of any excellent exercising of it'. Through the influence of his personality, his critical insight, and his brilliant achievement in both poetry and prose - which Professor Hamilton in this study establishes through careful analysis - Sidney became the central figure of the English literary Renaissance.
Mock-heroic poetry is one of the most characteristic genres of English neoclassicism in the eighteenth century. Derived from French models, the mock-heroic became something more than merely a parody of the serious epic: relieved of its gravity, it was nevertheless a legitimate and independent form of epic poetry. This book is the first comprehensive study of the theory, the conventions and the history of the mock-heroic genre. In the first part, Ulrich Broich shows how mock-heroic poetry combines the characteristics of various discourses - epic, comedy, parody, satire and occasional poetry. The 'polyphonic' genre which emerges from this analysis stands in ironic contrast to the neoclassical ideal of decorum in a harmonious unity of discourse and form. The second part traces the history of mock-heroic poetry: its foreign sources, its beginnings in England, the 'rivalry' with other forms of comic narrative, and its decline in the second half of the eighteenth century.
Acting Out is the first appearance in English of two short books published by Bernard Stiegler in 2003. In How I Became a Philosopher, he outlines his transformation during a five-year period of inc
In 1500 fewer than three million people spoke English; today English speakers number at least a billion worldwide. This book asks how and why a small island people became the nucleus of an empire 'on which the sun never set'. David Rollison argues that the 'English explosion' was the outcome of a long social revolution with roots deep in the medieval past. A succession of crises from the Norman Conquest to the English Revolution were causal links and chains of collective memory in a unique, vernacular, populist movement. The keyword of this long revolution, 'commonwealth', has been largely invisible in traditional constitutional history. This panoramic synthesis of political, intellectual, social, cultural, religious, economic, literary and linguistic movements offers a 'new constitutional history' in which state institutions and power elites were subordinate and answerable to a greater community that the early modern English called 'commonwealth' and we call 'society'.
The reign of Edward III is usually remembered for his stirring victories over the French and Scots. Yet these triumphs occurred against a domestic backdrop of economic upheaval, crime, high taxation and the Black Death. Edward's ability to pursue his ambitions amid such challenges shows the effectiveness of his leadership and the resilience of English institutions. This book examines the strains on English life in this remarkable era, and shows how an interlocking network of hierarchies at each level enabled Edward to reach into local communities to get what he needed. Compliance, however, required hard bargaining as subjects chafed under incessant taxes and royal demands and, during Edward's reign, parliament became the primary arena for negotiations between the king and the community. Professor Waugh's incisive account of these tumultuous events also contains an extensive guide to further reading, in addition to a glossary of the more abstruse medieval terms.
Until the dissolution of Czechoslovakia, Slovakia's identity seemed inextricably linked with that of the former state. This book explores the key moments and themes in the history of Slovakia from the Duchy of Nitra's ninth-century origins to the establishment of independent Slovakia at midnight 1992–3. Leading scholars chart the gradual ethnic awakening of the Slovaks during the Reformation and Counter-Reformation and examine how Slovak national identity took shape with the codification of standard literary Slovak in 1843 and the subsequent development of the Slovak national movement. They show how, after a thousand years of Magyar-Slovak coexistence, Slovakia became part of the new Czechoslovak state from 1918–39, and shed new light on its role as a Nazi client state as well as on the postwar developments leading up to full statehood in the aftermath of the collapse of communism in 1989. There is no comparable book in English on the subject.
Why do so many Americans celebrate Shakespeare, a long-dead English poet and playwright? By the nineteenth century newly independent America had chosen to reject the British monarchy and Parliament, class structure and traditions, yet their citizens still made William Shakespeare a naturalized American hero. Today the largest group of overseas visitors to Stratford-upon-Avon, the Royal Shakespeare Company and Bankside's Shakespeare's Globe Theatre come from America. Why? Is there more to Shakespeare's American popularity than just a love of men in doublet and hose speaking soliloquies? This book tells the story of America's relationship with Shakespeare. The story of how and why Shakespeare became a hero within American popular culture. Sturgess provides evidence of a comprehensive nineteenth-century appropriation of Shakespeare to the cause of the American Nation and shows that, as America entered the twentieth century a new world power, for many Americans Shakespeare had become as Am
