Philosopher, physicist, and anarchist Paul Feyerabend was one of the most unconventional scholars of his time. His book Against Method has become a modern classic. Yet it is not well known that Feyerabend spent many years working on a philosophy of nature that was intended to comprise three volumes covering the period from the earliest traces of stone age cave paintings to the atomic physics of the 20th century – a project that, as he conveyed in a letter to Imre Lakatos, almost drove him nuts: “Damn the ,Naturphilosophie.”The book’s manuscript was long believed to have been lost. Recently, however, a typescript constituting the first volume of the project was unexpectedly discovered at the University of Konstanz. In this volume Feyerabend explores the significance of myths for the early period of natural philosophy, as well as the transition from Homer’s “aggregate universe” to Parmenides’ uniform ontology. He focuses on the rise of rationalism in Greek antiquity, which he consid
Zionism emerged at the end of the nineteenth century in response to a rise in anti-Semitism in Europe and to the crisis of modern Jewish identity. This novel, national revolution aimed to unite a scattered community, defined mainly by shared texts and literary tradition, into a vibrant political entity destined for the Holy Land. However, Zionism was about much more than a national political ideology and practice. By tracing its origins in the context of a European history of ideas and by considering the writings of key Jewish and Hebrew writers and thinkers from the nineteenth and twentieth centuries, the book offers an entirely new philosophical perspective on Zionism as a unique movement based on intellectual boldness and belief in human action. In counter-distinction to the studies of history and ideology that dominate the field, this book also offers a new way of reflecting upon contemporary Israeli politics.
This collection of original essays by leading historians of political thought examines modern European thinkers' writings about conquest, colonization and empire. The creation of vast transcontinental empires and imperial trading networks played a key role in the development of modern European political thought. The rise of modern empires raised fundamental questions about virtually the entire contested set of concepts that lay at the heart of modern political philosophy, such as property, sovereignty, international justice, war, trade, rights, transnational duties, civilization and progress. From Renaissance republican writings about conquest and liberty to sixteenth-century writings about the Spanish conquest of the Americas through Enlightenment perspectives about conquest and global commerce and nineteenth-century writings about imperial activities both within and outside of Europe, these essays survey the central moral and political questions occasioned by the development of overs
This collection of original essays by leading historians of political thought examines modern European thinkers' writings about conquest, colonization and empire. The creation of vast transcontinental empires and imperial trading networks played a key role in the development of modern European political thought. The rise of modern empires raised fundamental questions about virtually the entire contested set of concepts that lay at the heart of modern political philosophy, such as property, sovereignty, international justice, war, trade, rights, transnational duties, civilization and progress. From Renaissance republican writings about conquest and liberty to sixteenth-century writings about the Spanish conquest of the Americas through Enlightenment perspectives about conquest and global commerce and nineteenth-century writings about imperial activities both within and outside of Europe, these essays survey the central moral and political questions occasioned by the development of overs
Zionism emerged at the end of the nineteenth century in response to a rise in anti-Semitism in Europe and to the crisis of modern Jewish identity. This novel, national revolution aimed to unite a scattered community, defined mainly by shared texts and literary tradition, into a vibrant political entity destined for the Holy Land. However, Zionism was about much more than a national political ideology and practice. By tracing its origins in the context of a European history of ideas and by considering the writings of key Jewish and Hebrew writers and thinkers from the nineteenth and twentieth centuries, the book offers an entirely new philosophical perspective on Zionism as a unique movement based on intellectual boldness and belief in human action. In counter-distinction to the studies of history and ideology that dominate the field, this book also offers a new way of reflecting upon contemporary Israeli politics.
The extensive influence of Plotinus, the third-century founder of 'Neoplatonism', on intellectual thought from the Renaissance to the modern era has never been systematically explored. This collection of new essays fills the gap in the scholarship, thereby casting a spotlight on a current of intellectual history that is inherently significant. The essays take the form of a series of case-studies on major figures in the history of Neoplatonism, ranging from Marsilio Ficino to Henri-Louis Bergson and moving through Italian, French, English, and German philosophical traditions. They bring clarity to the terms 'Platonism' and 'Neoplatonism', which are frequently invoked by historians but often only partially understood, and provide fresh perspectives on well-known issues including the rise of 'mechanical philosophy' in the sixteenth century and the relation between philosophy and Romanticism in the nineteenth century. The volume will be important for readers interested in the history of th
The extensive influence of Plotinus, the third-century founder of 'Neoplatonism', on intellectual thought from the Renaissance to the modern era has never been systematically explored. This collection of new essays fills the gap in the scholarship, thereby casting a spotlight on a current of intellectual history that is inherently significant. The essays take the form of a series of case-studies on major figures in the history of Neoplatonism, ranging from Marsilio Ficino to Henri-Louis Bergson and moving through Italian, French, English, and German philosophical traditions. They bring clarity to the terms 'Platonism' and 'Neoplatonism', which are frequently invoked by historians but often only partially understood, and provide fresh perspectives on well-known issues including the rise of 'mechanical philosophy' in the sixteenth century and the relation between philosophy and Romanticism in the nineteenth century. The volume will be important for readers interested in the history of th
The rise of modern science created a crisis for Western moral and political philosophy, which had theretofore relied either on Christian theology or Aristotelian natural teleology as guarantors of an
In The History of the Race Idea: From Ray to Carus, Eric Voegelin places the rise of the race idea in the context of the development of modern philosophy. The history of the race idea, according to Vo
A central figure in Victorian science, William Whewell (1794–1866) held professorships in Mineralogy and Moral Philosophy at Trinity College, Cambridge, before becoming Master of the college in 1841. His mathematical textbooks, such as A Treatise on Dynamics (1823), were instrumental in bringing French analytical methods into British science. This three-volume history, first published in 1837, is one of Whewell's most famous works. Taking the 'acute, but fruitless, essays of Greek philosophy' as a starting point, it provides a history of the physical sciences that culminates with the mechanics, astronomy, and chemistry of 'modern times'. Volume 2 focuses on the rise and development of modern mechanics in the seventeenth century. Whewell shows how Galileo's laws of motion exemplify a paradigmatic shift from 'formal' to 'physical' sciences - a new approach concerned with explaining causes rather than merely observing phenomena. It also discusses the implications for physical astronomy of
A central figure in Victorian science, William Whewell (1794–1866) held professorships in Mineralogy and Moral Philosophy at Trinity College, Cambridge, before becoming Master of the college in 1841. His mathematical textbooks, such as A Treatise on Dynamics (1823), were instrumental in bringing French analytical methods into British science. This three-volume history, first published in 1837, is one of Whewell's most famous works. Taking the 'acute, but fruitless, essays of Greek philosophy' as a starting point, it provides a history of the physical sciences that culminates with the mechanics, astronomy, and chemistry of 'modern times'. Volume 1 studies Greek physics and metaphysics, attributing their failure to a method that derived its principles from the common use of language. It surveys the state of the physical sciences in the middle ages, and deals with the rise of 'formal' astronomy - based on observation rather than calculation - as exemplified by Copernicus.
A central figure in Victorian science, William Whewell (1794–1866) held professorships in Mineralogy and Moral Philosophy at Trinity College, Cambridge, before becoming Master of the college in 1841. His mathematical textbooks, such as A Treatise on Dynamics (1823), were instrumental in bringing French analytical methods into British science. This three-volume history, first published in 1837, is one of Whewell's most famous works. Taking the 'acute, but fruitless, essays of Greek philosophy' as a starting point, it provides a history of the physical sciences that culminates with the mechanics, astronomy, and chemistry of 'modern times'. Volume 1 focuses on ancient Greek physics and metaphysics and their reception during the middle ages. Volume 2 discusses the rise of modern mechanics and emphasises the paradigmatic shift from mere observation to the explanation of causes. Volume 3 highlights the convergence of mechanical and chemical theories in discoveries about electricity, magnetis
German historian Leopold von Ranke (1795–1886) is well known for pioneering the modern historical method which advocates empiricism, rather than a focus on the philosophy of history. Emphasizing the importance of presenting history exactly as it happened, Ranke asserted that different eras need to be understood in their own contexts rather than in relation to each other: history should not be regarded as one long, teleological narrative. These principles of writing history, established in earlier publications, are all evident here. Originally published in eight volumes between 1859 and 1869, Ranke's history, 'principally in the seventeenth century', was first published in English as a six-volume history by the Clarendon Press in 1875, the mammoth task of its translation distributed among eight Oxford dons. Volume 3 focuses on the Interregnum years, detailing the rise and fall of Oliver Cromwell's Protectorate, the Restoration, and Charles II's wars with the Dutch.
This collection of essays explores the rise of aesthetics as a response to, and as a part of, the reshaping of the arts in modern society. The theories of art developed under the name of 'aesthetics' in the eighteenth century have traditionally been understood as contributions to a field of study in existence since the time of Plato. If art is a practice to be found in all human societies, then the philosophy of art is the search for universal features of that practice, which can be stated in definitions of art and beauty. However, art as we know it - the system of 'fine arts' - is largely peculiar to modern society. Aesthetics, far from being a perennial discipline, emerged in an effort both to understand and to shape this new social practice. These essays share the conviction that aesthetic ideas can be fully understood when seen not only in relation to intellectual and social contexts, but as themselves constructed in history.
Roy Rappaport argues that religion is central to the continuing evolution of life, although it has been been displaced from its original position of intellectual authority by the rise of modern science. His book, which could be construed as in some degree religious as well as about religion, insists that religion can and must be reconciled with science. Combining adaptive and cognitive approaches to the study of humankind, he mounts a comprehensive analysis of religion's evolutionary significance, seeing it as co-extensive with the invention of language and hence of culture as we know it. At the same time he assembles the fullest study yet of religion's main component, ritual, which constructs the conceptions which we take to be religious and has been central in the making of humanity's adaptation. The text amounts to a manual for effective ritual, illustrated by examples drawn from anthropology, history, philosophy, comparative religion, and elsewhere.
The sexy, witty and often bizarre novels, poetry and dialogues of the first centuries of this era (works such as Longus' Daphnis and Chloe, Achilles Tatius' Leukippe and Cleitophon and Plutarch's Amatorius) were being composed at the same time as fundamental ideas about the body, gender and sexuality were being set in place with the rise of Christianity and the Church to dominate the pagan world. Modern writers on the history of sexuality have largely ignored this literature in favour of prose treatises, philosophy and Christian homilies. Simon Goldhill, writing with the same wit and verve as the ancient writers with whom he engages, sets out to put these texts back into the history of sexuality. The result is a dazzling celebration of sex and sexuality in the Greek literature of the first centuries CE.
The range of poetic invention that occurred in Renaissance English literature was vast, from the lyric eroticism of the late sixteenth century to the rise of libertinism in the late seventeenth century. Heather James argues that Ovid, as the poet-philosopher of literary innovation and free speech, was the galvanizing force behind this extraordinary level of poetic creativity. Moving beyond mere topicality, she identifies the ingenuity, novelty and audacity of the period's poetry as the political inverse of censorship culture. Considering Spenser, Marlowe, Shakespeare, Jonson, Milton and Wharton among many others, the book explains how free speech was extended into the growing domain of English letters, and thereby presents a new model of the relationship between early modern poetry and political philosophy.
Roy Rappaport argues that religion is central to the continuing evolution of life, although it has been been displaced from its original position of intellectual authority by the rise of modern science. His book, which could be construed as in some degree religious as well as about religion, insists that religion can and must be reconciled with science. Combining adaptive and cognitive approaches to the study of humankind, he mounts a comprehensive analysis of religion's evolutionary significance, seeing it as co-extensive with the invention of language and hence of culture as we know it. At the same time he assembles the fullest study yet of religion's main component, ritual, which constructs the conceptions which we take to be religious and has been central in the making of humanity's adaptation. The text amounts to a manual for effective ritual, illustrated by examples drawn from anthropology, history, philosophy, comparative religion, and elsewhere.
This collection of essays explores the rise of aesthetics as a response to, and as a part of, the reshaping of the arts in modern society. The theories of art developed under the name of 'aesthetics' in the eighteenth century have traditionally been understood as contributions to a field of study in existence since the time of Plato. If art is a practice to be found in all human societies, then the philosophy of art is the search for universal features of that practice, which can be stated in definitions of art and beauty. However, art as we know it - the system of 'fine arts' - is largely peculiar to modern society. Aesthetics, far from being a perennial discipline, emerged in an effort both to understand and to shape this new social practice. These essays share the conviction that aesthetic ideas can be fully understood when seen not only in relation to intellectual and social contexts, but as themselves constructed in history.
During the Iranian Revolution of 1978/9, the influence of public intellectuals was widespread. Many espoused a vision of Iran freed from the influences of 'Westtoxification', inspired by Heideggerian concepts of anti-Western nativism. By following the intellectual journey of the Iranian philosopher Ahmad Fardid, Ali Mirsepassi offers in this book an account of the rise of political Islam in modern Iran. Through his controversial persona and numerous public and private appearances before, during and particularly after the Revolution, Fardid popularised an Islamist vision militantly hostile to the modern world that remains a fundamental part of the political philosophy of the Islamic Republic to this day. By also bringing elements of Fardid's post-revolutionary thought, as well as a critical analysis of Foucault's writings on 'the politics of spirituality', Mirsepassi offers an essential read for all those studying the evolution of political thought and philosophy in modern Iran and beyo
