China’s 1911–12 Revolution, which overthrew a 2000-year succession of dynasties, is thought of primarily as a change in governmental style, from imperial to republican, traditional to modern. But give
If John Fowler was—in the words of the late Duchess of Devonshire—the Prince of Decorators, and Nancy Lancaster undoubted doyenne of English country house style, Imogen Taylor was their crown princess
Commentaries on the Hellenica Oxyrhynchia, an anonymous history of events in the Greek world in the late fifth and early fourth centuries BC, have usually dealt almost entirely with problems of the text. In this book, Dr Bruce has written an historical commentary, basing his work on both the London and Florence papyri, which between them provide all the surviving fragments of the text. Dr Bruce begins with a brief description of the two papyri. He then discusses the Oxyrhynchus historian's style and method - his sources, chronology, bias, interest in causation, etc. The introduction ends with a résumé of the numerous theories of the author's identity (Dr Bruce favours either Cratippus or an author not known to us by name at all). The main part of the commentary is arranged in the form of notes on the sections of the Greek text, with occasional detailed notes on particular words or phrases. There are appendices on the Battle of Sardis and the Constitution of Boeotia; and the book conclu
The late Thompson's inimitable style of "gonzo" journalism was on full display in this series of articles originally written for and serialized in Rolling Stone magazine, covering the 1972 Democratic
Probably dating from the first century AD, De Eloutione is an ancient treatise on good writing practices that draws on works by Aristotle and Theophrastus. It remained highly popular into the late Renaissance with such writers as John Milton among its exponents. This edition by William Rhys Roberts was the first English publication in 1902. The volume provides a facing-page translation of the original Greek text, supplemented with extensive notes, a glossary, and comprehensive introduction. While an important book for classicists and amateur readers of Greek, there is much here that students of rhetoric will also find interesting.
Steam on the Southern and Western is a personal record of railway views that were captured on black and white film in the late 1950s and 1960s, until the demise of steam on British Railways.The style
This book provides analyses of different recarving methods in Late Antiquity, and argues on the basis of 500 recarved portraits that the late antique portrait style, which was formerly considered an e
This second edition of the definitive book on artist Wolf Kahn adds his achievements of the past 15 years. A new essay by Karen Wilkin highlights the development of his late style, and a generous sele
In this warm and vibrant work of memoir and criticism, a young writer forges a friendship with Philip Guston, one of the most influential and controversial painters of the twentieth century and the subject of Philip Guston Now, a much-discussed retrospective upcoming in several major museums. The late paintings of Philip Guston have had a profound influence on painters today; only the altogether different work of Andy Warhol can be said to have had a comparable impact. As time has passed and Guston's star has risen, it has been forgotten how scandalous and crude these paintings, with their cartoonish imagery and curiously faltering application of paint, were initially deemed to be. The 1970 show at the Marlborough Gallery in which Guston, abandoning the delicate abstract expressionist style for which he was known, revealed his new style was critically savaged and even led to a rift between Guston and his best friend, the composer Morton Feldman, that was never fully mended. In the afte
From a late '90s run on Wolverine to the current X-Men epic, artist Leinil Francis Yu has drawn it all in a career at Marvel distinguished by his unique drawing style! MARVEL MONOGRAPH: THE ART OF LEI
Based on popular motifs to ancient Greece and Rome, Neo-Classical design dominated European architecture and decorative style from the late 1700s onward. This collection of elegant clip art features s
Masterly compositions in late Baroque style by 3 great Romantic composers. Brahms's 11 Chorale Preludes, Mendelssohn's 6 Sonatas and Schumann's 6 Fugues on the Name BACH, all reprinted from the author
First published in 1924, Katherine A. Esdaile's study of Roubiliac (1702–1762) provides a fascinating insight into the work of this great late-baroque sculptor, who was born in France but spent most of his working life in England. The Introduction outlines the history behind the world-renowned collection at Trinity College, Cambridge, describing Roubiliac's distinctive 'vivid and intense' style. Esdaile tells of the sculptor's passion for perfection and his habit of sacrificing sleep for art. Twenty illustrations of Roubiliac's work are reproduced – including the busts of Isaac Newton, Francis Bacon and Francis Willoughby – and each is accompanied by detailed notes on the provenance of the work and special points of note. Enlightening and informative, this short book still fulfils the author's aim for the reader to find 'a new source of artistic pleasure, a new interest in the glories of Cambridge'.
The work of Bion of Smyrna, the late Hellenistic writer of bucolic poetry, survives in seventeen fragments and the longer Epitaph on Adonis. In this edition, J. D. Reed presents a Greek text of the poems together with a facing translation. The substantial introduction covers Bion's place in the bucolic tradition, his reinterpretation of ritual and myth in the Adonis poem (with attention to its social context), and various aspects of his style. It also includes a detailed examination of the textual transmission. The commentary investigates fully details arising from the texts, with an emphasis on linguistic and literary-historical issues. This is a comprehensive treatment of Bion, his poetry and his place in the literary tradition.
The work of Bion of Smyrna, the late Hellenistic writer of bucolic poetry, survives in seventeen fragments and the longer Epitaph on Adonis. In this edition, J. D. Reed presents a Greek text of the poems together with a facing translation. The substantial introduction covers Bion's place in the bucolic tradition, his reinterpretation of ritual and myth in the Adonis poem (with attention to its social context), and various aspects of his style. It also includes a detailed examination of the textual transmission. The commentary investigates fully details arising from the texts, with an emphasis on linguistic and literary-historical issues. This is a comprehensive treatment of Bion, his poetry and his place in the literary tradition.
This volume provides a thorough philological and dramatic commentary on Euripides' Phoenissae, the first detailed commentary in English since 1911. Phoenissae is of special interest both as a specimen of late Euripidean dramaturgy, and as the subject of longstanding disputes over the extent of interpolation and rewriting to be detected in it. This commentary aims to offer a balanced treatment of issues of language, style, structure, and dramatic technique as well as to explain the reasons for and uncertainties of the constitution of the text. The introduction treats the play's structure and themes, the possible date, the features of the original production, the varied background of Theban myth against which Euripides' choices and innovations may be judged, and general issues relevant to the problem of interpolation. The Greek text is that of the author's 1988 Teubner edition.
This 2003 book is a full-length study of Octauia, the only complete Roman drama of an historical subject, or fabula praetexta. The play deals with Nero's divorce from the princess Octavia, Claudius' daughter by Valeria Messalina, and with his subsequent marriage to Poppaea Sabina. Professor Ferri presents a critical edition of the text based on a fresh re-examination of the relevant manuscripts and provides a full discussion of textual issues. In the Introduction he argues that the play, wrongly ascribed to Seneca in our MSS, was composed in the late Flavian period, and that the author relied on pre-existing historical accounts written after the death of Nero. He also discusses in detail the style and language of the play, strongly influenced by Senecan tragedy, its relationship to the other plays of the Senecan corpus, and particularly to Hercules Oetaeus, its stagecraft and post-Classical dramatic conventions, and the author's political position.
This 2003 book is a full-length study of Octauia, the only complete Roman drama of an historical subject, or fabula praetexta. The play deals with Nero's divorce from the princess Octavia, Claudius' daughter by Valeria Messalina, and with his subsequent marriage to Poppaea Sabina. Professor Ferri presents a critical edition of the text based on a fresh re-examination of the relevant manuscripts and provides a full discussion of textual issues. In the Introduction he argues that the play, wrongly ascribed to Seneca in our MSS, was composed in the late Flavian period, and that the author relied on pre-existing historical accounts written after the death of Nero. He also discusses in detail the style and language of the play, strongly influenced by Senecan tragedy, its relationship to the other plays of the Senecan corpus, and particularly to Hercules Oetaeus, its stagecraft and post-Classical dramatic conventions, and the author's political position.
This book focuses on the art deco ceramics that were produced by the British pottery industry during the late twenties and early thirties. It covers all the important aspects of the popular style from
The Ciris is a mythological narrative poem on the legend of Scylla and Nisus, and is an outstanding example of the epyllion genre - miniture epics, of which there must have been many from Catullus onwards. Late sources in Antiquity and inferior manuscript tradition attributed this poem to Vergil, and the possibility of Vergilian authorship has been discussed since the Renaissance. Dr Lyne has reassessed the manuscript authorities for the Ciris and here presents a new and better text of the poem with apparatus criticus. In his introduction and commentary he provides a complete account of the Ciris: its manuscripts, its style and language, the poet's treatment of the Scylla myths, his narrative technique and his method of composition. Dr Lyne's tracking down of the poet's borrowings from the now lost neoteric poets of Catullus' generation is especially interesting.
