The world's leading psychiatric authority on demonic possession delves into the hidden world of exorcisms and his own transformation from cynic to believer over the course of his twenty-five-year career.Successful New York psychiatrist Richard Gallagher was skeptical yet intrigued when a hard-nosed, no-nonsense Catholic priest asked him to examine a woman for a possible exorcism. Meeting her, Gallagher was astonished. The woman's behavior defied logic. In an instant, she could pinpoint a person's secret weaknesses. She knew how individuals she'd never known had died, including Gallagher's own mother, who passed away after a lengthy battle with ovarian cancer. She spoke fluently in multiple languages, including Latin--but only when she was in a trance. This was not psychosis, Gallagher concluded. It was, in his scientific estimation, what could only be describe as paranormal ability. The woman wasn't mentally disturbed--she was possessed. This remarkable case was the first of many that
An intimate look at the making of a man, an actor, an advocate--and most importantly--a happy human being. A wonderful book that is funny, honest, fearless, and generous in its vulnerability. --Douglas Stuart, Booker Prize-winning author of Shuggie BainThere is absolutely no logical reason why I am here. The life trajectory my nationality and class and circumstances portended for me was not even remotely close to the one I now navigate. But logic is a science and living is an art.The release I felt in writing my first memoir, Not My Father's Son, was matched only by how my speaking out empowered so many to engage with their own trauma. I was reminded of the power of my words and the absolute duty of authenticity.But...No one ever fully recovers from their past. There is no cure for it. You just learn to manage and prioritize it. I believe the second you feel you have triumphed or overcome something - an abuse, an injury to the body or the mind, an addiction, a character flaw, a habit,
Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge’s “imagination”) and combinatoric play (Coleridge’s “fancy”).In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and design―incorporating Samuel Taylor Coleridge’s poetic imagination and Oscar Wilde’s challenging corollary to see things as in themselves they really are not. Many assume that calculating limits art and design to suit computers, but shape grammars rely on seeing to prove otherwise. Rules that change what they see extend calculating to overtake what computers can do, in logic and with data and learning. Shape grammars bridge the categorical divide between seeing (Coleridge’s “imagination, or esemplastic power”) and combinatoric play (Coleridge’s “fancy”). Stiny shows that calculating without seeing excludes art and design. Seeing is key for calculating to augment creative activity with aesthetic insight and value. Shape gramma
These pages take you in the mind and heart of the Son of God in a way you may not have thought possible. You'll come to understand the inner logic of Jesus' ministry: why Jesus' life had to take the c
Divide-and-conquer tactics stolen from conservatives do not work, especially in the long term, to further progressive causes. There is no logic or power in trying to use bad strategies to get to a go
Why does regulation vary so dramatically from one area to another? Why are vast sums spent on controlling some risks but not on others? Is there any logic to the techniques we use in risk regulation?
Why does regulation vary so dramatically from one area to another? Why are vast sums spent on controlling some risks but not on others? Is there any logic to the techniques we use in risk regulation?
The horror of the Holocaust lies not only in its brutality but in its scale and logistics; it depended upon the machinery and logic of a rational, industrialised, and empirically organised modern soci
The use of diagrams in logic and geometry has encountered resistance in recent years. For a proof to be valid in geometry, it must not rely on the graphical properties of a diagram. In logic, the teac
Traditional approaches to musical form have always adopted a top-down perspective whereby a work's form organizes and unifies the individual parts of the work through an overarching logic. How Sonata Forms turns this view on its head, proposing instead that it was the parts that conditionedand enabled the whole. Relying on a corpus of over a thousand works, author Yoel Greenberg illustrates how the elements of sonata form arose independently of one another, with an overarching idea of form only emerging at the tail end of its formative period during the eighteenth century. Appreciation of the bottom-up nature of sonata form's evolution reveals it not as a stable package of features that all serve a common aesthetic or formal goal, but rather as an unstable collection of disparate and sometimes even contradictory common practices. The resolution of these contradictionspresents a challenge to composers, rendering form a creative catalyst in itself, rather than as a compositional convenie
The Cambridge History of Philosophy 1870–1945 comprises over sixty specially commissioned essays by experts on the philosophy of this period and is designed to be accessible to non-specialists who have little previous familiarity with philosophy. As with the other volumes in the series, much of the emphasis of the essays is thematic, concentrating on developments during the period across a range of philosophical topics, from logic and metaphysics to political philosophy and philosophy of religion. Several chapters also discuss the changing relationship of philosophy to the natural and social sciences during this period. The result is an authoritative survey of this rich and varied period of philosophical activity, which will be of critical importance not only to teachers and students of philosophy but also to scholars in neighbouring disciplines such as the history of science, the history of ideas, theology and the social sciences.
Award-winning author Jack Boss returns with the 'prequel' to Schoenberg's Twelve-Tone Music (Cambridge, 2014) demonstrating that the term 'atonal' is meaningful in describing Schoenberg's music from 1908 to 1921. This book shows how Schoenberg's atonal music can be understood in terms of successions of pitch and rhythmic motives and pitch-class sets that flesh out the large frameworks of 'musical idea' and 'basic image'. It also explains how tonality, after losing its structural role in Schoenberg's music after 1908, begins to re-appear not long after as an occasional expressive device. Like its predecessor, Schoenberg's Atonal Music contains close readings of representative works, including the Op. 11 and Op. 19 Piano Pieces, the Op. 15 George-Lieder, the monodrama Erwartung, and Pierrot lunaire. These analyses are illustrated by richly detailed musical examples, revealing the underlying logic of some of Schoenberg's most difficult pieces of music.
Aristotle was the founder not only of logic but also of modal logic. In the Prior Analytics he developed a complex system of modal syllogistic which, while influential, has been disputed since antiqui
Can one explain the power of global capitalism without attributing to capital a logic and coherence it does not have? Can one account for the powers of techno-science in terms that do not merely repro
How does a listener understand a sarcastic 'That was a wonderful speech' when the words point to a positive review? Why do students of introductory logic interpret 'Some cabs are yellow' as 'Not all cabs are yellow' when the meaning of 'some' is compatible with 'all'? Pragmatics aims to explain how listeners draw out a speaker's meaning from utterances, an astonishing feat when one considers that the words in a sentence hardly suffice for fully comprehending what the speaker intended. Given the nature of pragmatics, it is going to take the interdisciplinary firepower of many cognitive sciences - including philosophy, experimental psychology, linguistics and neuroscience - to fully appreciate this uniquely human ability. In this book, Ira Noveck, a leading pioneer in experimental pragmatics, engagingly walks the reader through the phenomena, the theoretical debates, the experiments as well as the historical development of this growing academic discipline.
The horror of the Holocaust lies not only in its brutality but in its scale and logistics; it depended upon the machinery and logic of a rational, industrialised, and empirically organised modern soci
Most scholars think of David Hilbert's program as the most demanding and ideologically motivated attempt to provide a foundation for mathematics, and because they see technical obstacles in the way of realizing the program's goals, they regard it as a failure. Against this view, Curtis Franks argues that Hilbert's deepest and most central insight was that mathematical techniques and practices do not need grounding in any philosophical principles. He weaves together an original historical account, philosophical analysis, and his own development of the meta-mathematics of weak systems of arithmetic to show that the true philosophical significance of Hilbert's program is that it makes the autonomy of mathematics evident. The result is a vision of the early history of modern logic that highlights the rich interaction between its conceptual problems and technical development.
This challenging study explores the theme of freedom in the philosophy of Hegel and Nietzsche. In the first half Will Dudley sets Hegel's Philosophy of Right within a larger systematic account and deploys the Logic to interpret it. The author shows that freedom involves not only the establishment of certain social and political institutions but also the practice of philosophy itself. In the second half, he reveals how Nietzsche's discussions of decadence, nobility and tragedy map on to an analysis of freedom that critiques heteronomous choice and Kantian autonomy, and ultimately issues in a positive conception of liberation. In boldly bringing Hegel and Nietzsche together into a conversation, something that is rarely attempted, Will Dudley has developed a set of interpretations that will be of considerable importance to students of these philosophers, and more generally to political theorists and historians of ideas.
Coping with uncertainty is a necessary part of ordinary life and is crucial to an understanding of how the mind works. For example, it is a vital element in developing artificial intelligence that will not be undermined by its own rigidities. There have been many approaches to the problem of uncertain inference, ranging from probability to inductive logic to nonmonotonic logic. Thisbook seeks to provide a clear exposition of these approaches within a unified framework. The principal market for the book will be students and professionals in philosophy, computer science, and AI. Among the special features of the book are a chapter on evidential probability, which has not received a basic exposition before; chapters on nonmonotonic reasoning and theory replacement, matters rarely addressed in standard philosophical texts; and chapters on Mill's methods and statistical inference that cover material sorely lacking in the usual treatments of AI and computer science.
