Charles Burney (1726–1814), was the foremost music historian of his day. The General History, his most famous work, was published in four volumes between 1776 and 1789 and is still of great value today. Burney wanted to write something which would appeal to and inform the musician and the general reader. Research for the History was undertaken during two European tours, in 1770 and 1772, consulting original sources and meeting the great musicians of the time. The resultant work is engaging and elegantly written, offering the reader a fascinating view not only of Burney's own musical preferences and enthusiasms, but also a reflection of contemporary fashionable taste. All four volumes contain generous musical examples, quotations from original sources and an index. The second volume, published in 1782, covers the development of music from plainchant to the Reformation.
Charles Burney (1726–1814), was the foremost music historian of his day. The General History, his most famous work, was published in four volumes between 1776 and 1789 and is still of great value today. Burney wanted to write something which would appeal to and inform the musician and the general reader. Research for the History was undertaken during two European tours, in 1770 and 1772, consulting original sources and meeting the great musicians of the time. The resultant work is engaging and elegantly written, offering the reader a fascinating view not only of Burney's own musical preferences and enthusiasms, but also a reflection of contemporary fashionable taste. All four volumes contain generous musical examples, quotations from original sources and an index. Volume 1, originally published in 1776 (of which this is the revised edition of 1789) is devoted to the music of the ancient civilisations, in particular of Greece.
Charles Burney (1726–1814), was the foremost music historian of his day. The General History, his most famous work, was published in four volumes between 1776 and 1789 and is still of great value today. Burney wanted to write something which would appeal to and inform the musician and the general reader. Research for the History was undertaken during two European tours, in 1770 and 1772, consulting original sources and meeting the great musicians of the time. The resultant work is engaging and elegantly written, offering the reader a fascinating view not only of Burney's own musical preferences and enthusiasms, but also a reflection of contemporary fashionable taste. All four volumes contain generous musical examples, quotations from original sources and an index. The fourth volume, published 1789, is an account of the birth and development of opera and the contemporary music scene in England.
Charles Burney (1726–1814), was the foremost music historian of his day. The General History, his most famous work, was published in four volumes between 1776 and 1789 and is still of great value today. Burney wanted to write something which would appeal to and inform the musician and the general reader. Research for the History was undertaken during two European tours, in 1770 and 1772, consulting original sources and meeting the great musicians of the time. The resultant work is engaging and elegantly written, offering the reader a fascinating view not only of Burney's own musical preferences and enthusiasms, but also a reflection of contemporary fashionable taste. All four volumes contain generous musical examples and quotations from original sources.
Charles Burney (1726–1814), was the foremost music historian of his day. The General History, his most famous work, was published in four volumes between 1776 and 1789 and is still of great value today. Burney wanted to write something which would appeal to and inform the musician and the general reader. Research for the History was undertaken during two European tours, in 1770 and 1772, consulting original sources and meeting the great musicians of the time. The resultant work is engaging and elegantly written, offering the reader a fascinating view not only of Burney's own musical preferences and enthusiasms, but also a reflection of contemporary fashionable taste. All four volumes contain generous musical examples, quotations from original sources and an index. The third volume, published 1789, considers European music to the end of the seventeenth century and English church music from the death of Purcell to Burney's time.
In 1809, Thomas Frognall Dibdin (1776–1847) published the first edition of Bibliomania, focussing on the contemporary craze for book collecting. Introduced in English at the end of the eighteenth century, the term 'bibliomania' - or 'book-madness' - gained popularity with the publication of Dibdin's book, in which bibliophiles conduct dialogues on the nature and history of book collecting, and the symptoms of and possible remedies for this 'fatal disease'. Published in 1832 under the pseudonym Mercurius Rusticus, Bibliophobia is a short pamphlet, which presents itself as a letter to the author of Bibliomania. The narrator, a book-lover himself, goes on a 'bibliopolistic pilgrimage', only to find out that 'bibliomania is no more', and that 'books are only the shadow of what they were'. From book-lovers to collectors, and from booksellers to libraries, the narrator carries out his entertaining yet melancholic investigation all the way to the Bodleian Library.
This is the first general history in English of theatre in Vienna, the one German-speaking city which, in the eighteenth century and for most of the nineteenth, sustained a theatrical life comparable to that of Paris or London. The book covers this theatrical culture from the beginnings of modern theatre in 1776 to the present day, relating it to social, political and intellectual history. It focuses primarily on the most important and productive theatres: the Burgtheater of the nineteenth and early twentieth century and the commercial theatres that housed Viennese dialect comedy and operetta. Particular emphasis is placed on the dramatists and composers from whom the lasting importance of the theatres chiefly derives, and on the ideological pressures reflected in the repertory, in censorship (to which one chapter is devoted), and in press reception. The book draws on original documents including diaries, memoirs and reviews, and is accessible to general readers as well as specialists.
Producer Stuart Ostrow's manifesto of how intelligent life might be restored to the theatre is also a unique personal memoir of the producer - creator relationship and an evaluation of the essentials
In "an entertaining and iconoclastic fashion" (Philadelphia Inquirer), the celebrated historian reinterprets the traditions that have shaped U.S. foreign policy from 1776 to the present. "McDougall h
Atlantic Republic traces the legacy of the United States both as a place and as an idea in the work of English writers from 1776 to the present day. Seeing the disputes of the Reformation as a precurs
Atlantic Republic traces the legacy of the United States both as a place and as an idea in the work of English writers from 1776 to the present day. Seeing the disputes of the Reformation as a precurs
Fénelon's Telemachus (1699) is, alongside Bossuet's Politics, the most important work of political theory of the grand siècle in France. It was also the most widely read work of the time, influencing Montesquieu and Rousseau in its attempt to combine monarchism with republican virtues. Fénelon tells of the moral and political education of Telemachus, young son of Ulysses, by his tutor Mentor (the goddess Minerva in disguise). Telemachus visits every corner of the Mediterranean world and learns patience, courage, modesty and simplicity, the qualities he will need when he succeeds Ulysses as King of Ithaca. It is the story of the transformation of an egoistic young man into a model ruler, and is meant (among other things) as a commentary on the bellicosity and luxuriousness of Louis XIV. The present English edition follows closely that of Tobias Smollett published in 1776.
Fénelon's Telemachus (1699) is, alongside Bossuet's Politics, the most important work of political theory of the grand siècle in France. It was also the most widely read work of the time, influencing Montesquieu and Rousseau in its attempt to combine monarchism with republican virtues. Fénelon tells of the moral and political education of Telemachus, young son of Ulysses, by his tutor Mentor (the goddess Minerva in disguise). Telemachus visits every corner of the Mediterranean world and learns patience, courage, modesty and simplicity, the qualities he will need when he succeeds Ulysses as King of Ithaca. It is the story of the transformation of an egoistic young man into a model ruler, and is meant (among other things) as a commentary on the bellicosity and luxuriousness of Louis XIV. The present English edition follows closely that of Tobias Smollett published in 1776.
Many of America's most significant political, economic, territorial, and geostrategic accomplishments from 1776 to the present day came about because a U.S. diplomat disobeyed orders. The magnificent terms granted to the infant republic by Britain at the close of the American Revolution, the bloodless acquisition of France's massive Louisiana territory in 1803, the procurement of an even vaster expanse of land from Mexico forty years later, the preservation of the Anglo-American 'special relationship' during World War I―these and other milestones in the history of U.S. geopolitics derived in large part from the refusal of ambassadors, ministers, and envoys to heed the instructions given to them by their superiors back home. Historians have neglected this pattern of insubordination―until now. Rogue Diplomats makes a seminal contribution to scholarship on U.S. geopolitics and provides a provocative response to the question that has vexed so many diplomatic historians: is there a distinc
Many of America's most significant political, economic, territorial, and geostrategic accomplishments from 1776 to the present day came about because a U.S. diplomat disobeyed orders. The magnificent terms granted to the infant republic by Britain at the close of the American Revolution, the bloodless acquisition of France's massive Louisiana territory in 1803, the procurement of an even vaster expanse of land from Mexico forty years later, the preservation of the Anglo-American 'special relationship' during World War I―these and other milestones in the history of U.S. geopolitics derived in large part from the refusal of ambassadors, ministers, and envoys to heed the instructions given to them by their superiors back home. Historians have neglected this pattern of insubordination―until now. Rogue Diplomats makes a seminal contribution to scholarship on U.S. geopolitics and provides a provocative response to the question that has vexed so many diplomatic historians: is there a distinc
