In The Mask Maker, Diane Glancy tells the story of Edith Lewis, a recently divorced mixed-blood American Indian, as she travels the state of Oklahoma teaching students the art and custom of mask-maki
In The Reason for Crows, award-winning author Diane Glancy continues her project begun in Pushing the Bear: A Novel of the Trail of Tears and Stone Heart: A Novel of Sacajawea. Imagining the interior
In American Gypsy, a collection of six plays, Diane Glancy uses a melange of voices to invoke the myths and realities of modern Native American life. Glancy intermixes poetry and prose to address them
"There was the darkness of a dream again. And in that darkness, the burning firesticks the men used to carry from the holy Keetowah fire to light the smaller fires in the cabins. It had been a yearly
Diane Glancy's eye and ear for the details of land and language make this poetry collection a powerful and important work about modern America. Glancy marries impressive wordplay with great emotional
Poet, novelist, essayist, playwright, and author of more than thirty books, Diane Glancy has established herself as one of the country’s most versatile and prolific writers. Distinguished by her lacon
This thoroughly original volume collects three short stories and a powerful novella by the Cherokee-German-English poet and prose writer Diane Glancy. Glancy's tales of Native American life explore t
Diane Glancy sees books as being akin to maps,and often finds the Native American voices she writes about as she travels. Once, when driving through western Nevada, she stopped at Grant Mountain and W
"There is a map you decide to call a book. A book of the territories you’ve traveled. A map is a meaning you hold against the unknowing. The places you speak in many directions." For Diane Glancy,
This remarkable collection of poems explores the conjoined cultures of Indian and European, the revisions the conquered race must face, and the disruption that results from the attempt to combine dive
There is a saying in Native American tradition that "wholeness is when the shadow of the rider and his horse are one." Although we usually focus our attention on what seems most real, Diane Glancy sh
Coffee House Press invites readers into the world of Native American postmodern poetry in a groundbreaking anthology sampling the work of twenty-two authors who lead us into new conceptual terrain. Vi
