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From All That Fall and Embers to Cascando, many of Samuel Beckett's most beguiling works were written for radio broadcast.The Making of Samuel Beckett's Radio Plays is a comprehensive reference guide

Originally written in French and first performed at the Royal Court Theatre in 1957, Samuel Beckett's Endgame is widely regarded as one of his most important works. The Making of Samuel Beckett's 'End

Company was first composed in English over two years, with Beckett breaking a 20-year-long pattern of composing primarily in French to craft this meticulously structured 59-paragraph masterpiece of hi

First performed in 1953, Waiting for Godot is Samuel Beckett's masterpiece and one of the most important dramatic works of the 20th century. The Making of Samuel Beckett's 'Waiting for Godot'/'En atte

Originally published in French as Malone meurt in 1951 and later translated into English by the author himself, Malone Dies is the second novel of Samuel Beckett's Trilogy. The Making of Samuel Becket

A complete manuscript history of Beckett's Krapp's Last Tape, detailing archive listings, alternative versions, drafts, publication history and a detailed guide to the online manuscripts.

Company was first composed in English over two years, with Beckett breaking a 20-year-long pattern of composing primarily in French to craft this meticulously structured 59-paragraph masterpiece of his late prose. Its French companion, Compagnie , was translated in only two weeks.The genetic critical analysis of the manuscripts of Company/Compagnie takes this schema-dependent compositional method as its core focus. It forwards a new hypothesis regarding the genetic map of both works, and considers the relationship between this uniquely entwined ‘original’ and ‘translation.’This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of theEstate of Samuel Beckett.