A decade after the cold war ended, policy makers and academics foresaw a new era of peace and prosperity, an era in which democracy and open trade would herald the "end of history." The terrorist att
“A superb book. . . . Mearsheimer has made a significant contribution to ourunderstanding of the behavior of great powers.”—Barry R. Posen, The National Interest
A decade after the cold war ended, policy makers and academics foresawa new era of peace and prosperity, an era in which democracy and opentrade would herald the "end of history."
The balance of power has been a central concept in the theory and practice of international relations for the past five hundred years. It has also played a key role in some of the most important attempts to develop a theory of international politics in the contemporary study of international relations. In this 2007 book, Richard Little establishes a framework that treats the balance of power as a metaphor, a myth and a model. He then uses this framework to reassess four major texts that use the balance of power to promote a theoretical understanding of international relations: Hans J. Morgenthau's Politics Among Nations (1948), Hedley Bull's The Anarchical Society (1977), Kenneth N. Waltz's Theory of International Politics (1979) and John J. Mearsheimer's The Tragedy of Great Power Politics (2001). These reassessments allow the author to develop a more comprehensive model of the balance of power.
The balance of power has been a central concept in the theory and practice of international relations for the past five hundred years. It has also played a key role in some of the most important attempts to develop a theory of international politics in the contemporary study of international relations. In this 2007 book, Richard Little establishes a framework that treats the balance of power as a metaphor, a myth and a model. He then uses this framework to reassess four major texts that use the balance of power to promote a theoretical understanding of international relations: Hans J. Morgenthau's Politics Among Nations (1948), Hedley Bull's The Anarchical Society (1977), Kenneth N. Waltz's Theory of International Politics (1979) and John J. Mearsheimer's The Tragedy of Great Power Politics (2001). These reassessments allow the author to develop a more comprehensive model of the balance of power.
This book addresses the question of how and why history begins with the work of Thucydides. The History of the Peloponnesian War is distinctive in that it is a prose narrative, meant to be read rather than performed. It focuses on the unfolding of contemporary great power politics to the exclusion of almost all other elements of human life, including the divine. The power of Thucydides' text has never been attributed either to the charm of its language or to the entertainment value of its narrative, or to some personal attribute of the author. In this study, Darien Shanske analyzes the difficult language and structure of Thucydides' History and argues that the text has drawn in so many readers into its distinctive world view precisely because of its kinship to the contemporary language and structure of Classical Tragedy. This kinship is not merely a matter of shared vocabulary or even aesthetic sensibility. Rather, it is grounded in a shared philosophical position, in particular on the
This book addresses the question of how and why history begins with the work of Thucydides. The History of the Peloponnesian War is distinctive in that it is a prose narrative, meant to be read rather than performed. It focuses on the unfolding of contemporary great power politics to the exclusion of almost all other elements of human life, including the divine. The power of Thucydides' text has never been attributed either to the charm of its language or to the entertainment value of its narrative, or to some personal attribute of the author. In this study, Darien Shanske analyzes the difficult language and structure of Thucydides' History and argues that the text has drawn in so many readers into its distinctive world view precisely because of its kinship to the contemporary language and structure of Classical Tragedy. This kinship is not merely a matter of shared vocabulary or even aesthetic sensibility. Rather, it is grounded in a shared philosophical position, in particular on the
This third edition of Othello offers a completely new introduction by Christina Luckyj, providing readers with a nuanced understanding of early modern theatre and culture, and demonstrating how careful attention to Shakespeare's language, staging and dramaturgy can open up fresh interpretations of the play. Tracing critical and performance trends up to the present day, Luckyj shows how the drama taps into contemporary cultural paradoxes surrounding blackness, marriage, and politics to create a powerful double perspective, illuminating the creative and destructive power of stories and of human love itself. Supplemented by an updated reading list and extensive illustrations, this edition also features revised commentary notes, offering the very best in contemporary criticism of this great tragedy.
This third edition of Othello offers a completely new introduction by Christina Luckyj, providing readers with a nuanced understanding of early modern theatre and culture, and demonstrating how careful attention to Shakespeare's language, staging and dramaturgy can open up fresh interpretations of the play. Tracing critical and performance trends up to the present day, Luckyj shows how the drama taps into contemporary cultural paradoxes surrounding blackness, marriage, and politics to create a powerful double perspective, illuminating the creative and destructive power of stories and of human love itself. Supplemented by an updated reading list and extensive illustrations, this edition also features revised commentary notes, offering the very best in contemporary criticism of this great tragedy.
