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Writing for the Screen: Succeeding as a Creative Professional includes essays written by and interviews with working screenwriters, producers, directors, and film professors, exploring the business si

Illustrating the multifaceted art of screenwriting, this guide expertly navigates its vital aspects—dramatic structure, the creation of character, and story development. The nature of the writer’s rol

Writing for the Screen: Succeeding as a Creative Professional includes essays written by and interviews with working screenwriters, producers, directors, and film professors, exploring the business si

Writing for the big screen may seem like a job for the experienced, but the fact is, it's for everyone. Take Celeste Davis, for example, who at fourteen wrote the screenplay for ÒPurgatory HouseÓ and

One of the world's leaders in sequential arts instruction presents a guide to visual storytelling that covers everything students and working professionals need to master the art of writing and format

Vale's Technique of Screen and Television Writing is an updated and expanded edition of a valuable guide to writing for film and television. Mr. Vale takes the aspiring writer through every phase of a

This guide to film writing is an ideal introduction to the craft for would-be screen scribes or film buffs who want to learn how it is done. A broad introduction to writing for the screen is provided,

Quotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images canquote one another, convening interaction and creating new knowledge across time. Classical Projections offers film quotation as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though filmquotations have appeared since silent cinema, Classical Projections focuses on quotations of classical Hollywood film--mainstream American studio production, 1915-1950--as quoted in post-classical Hollywood, roughly 1960 to present. This strategic historical frame asks: how does post-classicalcinema visualize its awareness of coming aft

For nearly half a century Philip French’s writing on cinema has been essential reading for film-goers, cinephiles and anyone who enjoys witty, intelligent engagement with the big screen. His vas

Ultimately responsible for the creative content on screen, directors are the captains of the ship on every film. This title covers various disciplines of the film art, from development and writing, to

市面電影劇本寫作教材各有所偏，或重理論而輕實務，或偏實務而缺理論。《實用劇本寫作》（電影篇）學（理論）、術（方法）兼備，既參考最新的中外書籍，又介紹大量的實例，內容豐富、針對性強、實用有效。自一九九二年出版以來，一直是大學電視或電影系所教科書，以及電視、電影公司、寫作班的訓練教材，歷經多次增訂改版，與時俱進。

Neil LaBute is one of the most exciting new talents in theatre and film to have emerged in the 1990s. Influenced and inspired by such writers as David Mamet, Edward Bond and Harold Pinter, he is equally at home writing for the screen as for the stage, and the list of films he has written and directed includes The Wicker Man (2006), Possession (2002) and In the Company of Men (1998). As a playwright, screenwriter, director, and author of short stories, he has staked out a distinctive, and disturbing, territory. In the first full-length study on LaBute, Christopher Bigsby examines his darkly funny work which explores the cruelties, self-concern and manipulative powers of individuals who inhabit a seemingly uncommunal world. Individual chapters are dedicated to particular works, and the book also includes an interview with LaBute, providing a fascinating insight into the life of this influential and often controversial figure.

The English composer William Alwyn was not only one of the most versatile creative figures of his age, writing music for the concert hall, recital room, operatic stage and film screen; he was also a

Neil LaBute is one of the most exciting new talents in theatre and film to have emerged in the 1990s. Influenced and inspired by such writers as David Mamet, Edward Bond and Harold Pinter, he is equally at home writing for the screen as for the stage, and the list of films he has written and directed includes The Wicker Man (2006), Possession (2002) and In the Company of Men (1998). As a playwright, screenwriter, director, and author of short stories, he has staked out a distinctive, and disturbing, territory. In the first full-length study on LaBute, Christopher Bigsby examines his darkly funny work which explores the cruelties, self-concern and manipulative powers of individuals who inhabit a seemingly uncommunal world. Individual chapters are dedicated to particular works, and the book also includes an interview with LaBute, providing a fascinating insight into the life of this influential and often controversial figure.