The enduring importance of Greek athletic training and competition during the period of the Roman Empire has been a neglected subject in past scholarship on the ancient world. This book examines the i
Offers an introduction to the many forms that athletics took in the ancient world, and to the sources of evidence by which we can study it. As well as looking at the role of athletics in archaic and c
The ancient visual environment was packed with instances where words and images appeared side by side: statues with dedicatory inscriptions, labels on paintings or mosaics, or complex juxtapositions of images and engraved texts on funerary monuments. In the past these elements have often been divorced from one another and studied in isolation. In this volume art historians and epigraphers have come together to look at the complex ways in which images and words interacted with one another, illustrating, explaining or reinterpreting each other or, conversely, making competing demands upon the viewer. Their essays range widely in their focus from archaic Greek pottery through Hellenistic honorific statues and Pompeian wall-paintings to Late Roman mosaics. The insights that emerge contribute to our wider picture of the relationships between art and text in the ancient world, as well as illuminating the complexity and variety in ancient material culture.
Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.
Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.
Tangible remains play an important role in our relationships with the dead; they are pivotal to how we remember, mourn and grieve. The chapters in this volume analyse a diverse range of objects and th
