Telling Stories Wrong (Best Illustrated Children's Books Award 2022)

Everyone knows how "Little Red Riding Hood" goes. But Grandpa keeps getting the story all wrong, with hilarious results!

"Once upon a time, there was a little girl called Little Yellow Riding Hood—" "Not yellow! It's Red Riding Hood!" So begins the story of a grandpa playfully recounting the well-known fairytale—or his version, at least—to his granddaughter. Try as she might to get him back on track, Grandpa keeps on adding things to the mix, both outlandish and mundane! The end result is an unpredictable tale that comes alive as it's being told, born out of imaginative play and familial affection. This spirited picture book will surprise and delight from start to finish, while reminding readers that storytelling is not only a creative act of improvisation and interaction, but also a powerful pathway for connection and love.

Telling Stories Wrong was written by Gianni Rodari, widely regarded as the father of modern Italian children's literature. It exemplifies his great respect for the intelligence of children and the kind of work he did as an educator, developing numerous games and exercises for children to engage and think beyond the status quo, imagining what happens after the end of a familiar story, or what possibilities open up when a new ingredient is introduced. This book is illustrated with great affection by the illustrious artist Beatrice Alemagna (Child of Glass), who counts Gianni Rodari as one of her "spiritual fathers."

Italian author Gianni Rodari wrote many beloved children's books and was awarded the prestigious Andersen Prize. But he was also an educator of paramount importance in Italy and an activist who understood the liberating power of the imagination. He is one of the twentieth century's greatest authors for children, and Italy's greatest. Influenced by French surrealism and linguistics, Rodari stressed the importance of poetic language, metaphor, made-up language, and play. At a time when schooling was all about factual knowledge, Rodari wrote The Grammar of Fantasy, a radically imaginative book about storytelling and play. He was a forerunner of writing techniques such as the "fantastic binomial" and the utopian, world engendering "what if...." The relevance of Rodari's works today lies in his poetics of imagination, his humanist yet challenging approach to reality, and his themes, such as war and peace, immigration, injustice, inequality, and liberty. Forty years after his death, Rodari's writing is as powerful and innovative as ever. He died in Rome in 1980.

Beatrice Alemagna has written and illustrated dozens of children's books, which have received numerous awards all over the world and have been translated into 14 languages. The author-illustrator of two New York Times Best Illustrated books, she has also been nominated for the Astrid Lindgren Memorial Award seven times and shortlisted for the Hans Christian Andersen Award twice. Enchanted Lion has published four of her picture books: The Wonderful Fluffy Little Squishy; Child of Glass; Telling Stories Wrong; and the forthcoming You Can't Kill Snow White, a picture book for teens and adults, published under Enchanted Lion's Unruly imprint. Born in Bologna, Italy, Alemagna lives and works in Paris, France.

“Here is a humorous story of a grandfather retelling ‘Little Red Riding Hood’ to his granddaughter, and telling it hilariously wrong. The child keeps correcting him, but it doesn’t seem to get him back on track. And why bother? Anyone who reads this book will see that the heart of storytelling with children is not the accurate retelling of plot but rather the connection and creative interaction between adult and child. Alemagna’s well-composed and multilayered mixed-media illustrations cleverly support the transition between the two speakers, as the narrative is related solely through dialogue; thought bubbles amusingly show the very different stories unfolding in each of the character’s heads. Young readers already familiar with ‘Little Red Riding Hood’ may enjoy this story most, but it will be great fun for all, nonetheless.” —The Horn Book

“Alemagna’s marker-and wash-textured illustrations, predominantly composed of blobs and circles, materialize into both reality (…Grandpa’s voluminous hair and mustache, the pink-skinned child’s pink dress and gangly braids) and narrative chaos (an entire thought bubble of Riding Hoods with cloaks of various hues), leading up to a grand finale that shows Grandpa at the helm of a city bus filled with characters who have appeared in his woolgathering. When Grandpa returns to his newspaper, and his grandchild heads to the store with a quarter for bubble gum, a final hug makes it clear that they share the same sense of storytelling mischief.” —Publishers Weekly

“With its combination of the absurd along with its imaginative creativity, Telling Stories Wrong is an excellent entry point for [Gianni Rodari's] writing. Lovingly executed illustrations by award-winning artist Beatrice Alemagna – who considers Rodari a ‘spiritual father’ – enhance the warmth of the story with great humor and a marvelous sense of play." —Nanette McGuinness, The Riveter

“Gianni Rodari, described as the father of modern Italian kid lit, gets a makeover here of one of his classic Telephone Tales. In this fractured version of Little Red Riding Hood, a grandpa mixes up all the particulars of the story, much to the delight of his squealing granddaughter... At each stage, the little girl emotes expressively, throwing up her arms and imagining (with squishy thought bubbles) all the right and wrong things about the story, crouching on the floor while Grandpa tries to get back to his newspaper. The star here was the fabulous illustrations, combined with gorgeous book design. Alemagna uses Magic Markers (possibly on dampened paper), which mimic watercolor and their characteristic spread, but allow her to create her own blobby version of pointillism… The large thick pages, with their buff color would make for really standout viewing of the large goofy pictures, like Grandpa and the girl racing off on a large horse (we only see their behinds, including the girl’s underwear!) with the pesky newspaper pages conveniently blowing away.” —Susan Harari, Keefe Library (Boston Latin School, Boston, MA), Youth Services Book Review

“We see nutty books all thetime. The difference here is that this particular nutty book has a lot of heartand affection between the characters that comes through in spite of (or becauseof?) the kooky storytelling. It’s an ideal book for a grandparent to read totheir own offspring’s offspring. Especially if that kid can’t stand it whengrown-ups get facts wrong. Here’s one fact that isn’t wrong: This book isdelightful. A win of an import.” —Betsy Bird, A Fuse 8 Production: A SchoolLibrary Journal Blog