絲竹樂（簡體書）

“人文灣區·嶺南三秀”叢書擷取三種深具文化底蘊和創新活力的經典藝術―粵劇、嶺南畫派和廣東音樂，以圖文雙說、中英對照的方式，鮮活呈現嶺南優秀傳統文化，旨在增進青少年文化教育，推動人文灣區建設，促進中外文明的交流互鑒，打造新時代廣東文藝通識讀本。
《絲竹樂/人文灣區·嶺南三秀》從技、承、芳、成、傳五個字立體展現的發展歷史、代表人物、藝術特色及其與粵人個性之融合、地位及影響力。

Preface
引言
Rooting in Lingnan
――The History of Cantonese Music
深植嶺南
――粵樂的歷史沿革

Germination：Booming of the Folk Musical Bands
萌芽：民間私夥遍佈各地
Origin：The Product of Multiple Cultures
起源：多元文化共同作用
Development：Masters and Masterpieces
發展：人才眾多名品輩出

Reforms of the Musical Instruments
――The Soul of Cantonese Music
樂器變革
――粵樂的靈魂精髓
Prototype：Hard-Bow Performance to Depict Common Life
維形：硬弓演奏系民生
Transforming：Soft-Bow Bringing New Life
轉型：軟弓改良創新風
Maturity：Incorporation of the Western Music
成熟：洋為中用促傳播

Contemporary Cantonese Music
――Heritage and Innovation of Cantonese Music
當代粵樂
――粵樂的傳承創新

Heritage：Flowering Everywhere
傳承：萬家燈火萬家弦
innovation：New Skills to Create Grandeur
創新：技法突破振雄風
Studies：Academic Reconstruction of the Culture
研究：學術重構文化潮

Combination of the East and the West
――Features of Cantonese Music
中西合璧
――粵樂的藝術特點

Rhythm：Elegant Brisk Lyrics
旋律：優美明快擅抒情
Themes：Common Feelings over Different Generations
主題：世俗情感代代傳
Styles：Merging of Soul and Music
風格：人樂相通達靈境
Movement：Incorporation of the Westerm Musical Techniques
旋法：中西合壁立新風
Musical Instruments：Changing with the Times
配器：與時俱進爭芳妍

Great Masters
――Eminent Persons in the History of Cantonese Music
群星璀璨
――粵樂名家人物志

The Three Hes：Pioneers of Modern Cantonese Music
何氏三傑：引領粵樂發展的開拓者
He Liutang：A Master at the Transitional Stage of Cantonese Music
何柳堂：粵樂史上承上啟下的音樂大家
He Yunian：A Prolific Composer Determining the Position of Cantonese
Music
何與年：奠定粵樂戲曲地位的多產作家
He Shaoxia：A Master of Musical Instruments Expertizing in the
Classical Literature and Lyrics
何少霞：深諳古典文學和唱詞的樂器高手
The Four Kings：Propellers Leading Cantonese Music to Its Golden
Age
四大天王：推動粵樂走向黃金時代
Lü Wencheng：A Master of Cantonese Music and Reformer of the
Musical Instruments
呂文成：一代粵樂宗師，力推器樂改革
Yin Zizhong：A Pioneer Who Nationalized the Violin
尹自重：小提琴民族化先驅
He Dasha：A Reformer of Guitar and Excellent Performer
何大傻：大膽改造吉他，演奏兩藝俱佳
He Langping：A Lover of Classical Literature Dedicated to Folk Music
Creation
何浪萍：酷愛詩詞，致力於民間樂曲創作
Qiu Hechou：The Initiate Providing Textbooks of Cantonese Music
丘鶴待：廣東音樂啟蒙者，編著最早課本

Blooming
――List of Classical Cantonese Musicol Pieces
百花齊放
――粵樂經典作品錄

\"The Pathetic Story of the Two Stars：Classical Musical Piece Based
on Chinese Folklore
《雙聲恨》：以民間傳說為題材的古曲
“Lightning in the Blue Sky”：Music with New Performing
Techniques
《旱天雷》：技法推陳出新的粵樂佳作
\"Plantains in the Rain”：Early Masterpiece with Heavy Lingnan
Flavor
《雨打芭蕉》：南國情趣的初期代表
\"The Dragon Boat Race Champion：Classical Cantonese Music with
Western Techniques
《賽龍奪錦》：借鑒外來技巧的粵樂經典
“Step on Step”：Popular Music Singing about Musical Instrument
Reform
《步步高》：樂器改革的時代“流行曲”
“A Peacock in His Pride”：The Musical Piece Employing Variou
Western Musical Instruments
《孔雀開屏》：被最多西洋樂器演奏過的作品
“Little Taohong”：A Pioneer to Escape the Bondage of Tradition
《小桃紅》：敢於突破傳統的創新之作
“Birds Returning to the Woods\"：A Musical Piece Embodying Nature
《鳥投林》：體現自然之趣的音樂小品

Breakthrough
――The Peak of Cantonese Music in the New Age
推陳出新
――粵樂攀登新時代新高峰

New Birth：New Musical Pieces Created One after Another
新曲：大批新作不斷湧現
New Trend：Creation not Limited to One Type
新風：創作嘗試不拘一格

Following the Trend of the Times
――Cantonese Music Opening a New Chapter
時代潮流
――粵樂譜寫新文化新篇章

Folk Music：Following the Social Trends
民樂：緊貼時代變革
Transformation：Carrier of Cultural Renaissance
轉型：承載文化復興

Afterword
後記