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倒數三天!簡體曬書節單本79折,5本7折
Avant-garde Performance ― Live Events And Electronic Technologies

Avant-garde Performance ― Live Events And Electronic Technologies

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The avant-garde has been criticized for being too commercial to be avant-garde, not commercial enough to further the cause of the avant-garde, and too self-indulgent to make a statement. Rather than focusing on the controversies that inevitably are heaped on the challenging, Berghaus (theater, U. of Bristol) describes the antecedents and reasons for the very concepts behind the avant-garde, its genesis within modernity, the earliest performance practices up to 1919, and transition from late modernism to postmodernism, and the beginning of the avant-garde in the USA and Japan. He then tackles the performances themselves, ranging from body art, ritualism and neo-shamanism to video and multimedia and the rise of the avant-garde in cyberspace. Annotation c2005 Book News, Inc., Portland, OR (booknews.com)

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Gunter Berghaus is a Senior Research Fellow at the University of Bristol. He has held positions at the University of Rio de Janeiro and at Brown University and has published over a dozen books and a large number of articles on avant-garde performance, theatre anthropology, dance history, and Renaissance and Baroque theatre. He has directed numerous plays from the classical and modern repertoire and holds research awards from the Polish Academy of Sciences, the German Research Foundation, the Italian Ministry of Culture, the British Academy, and the Brazilian Ministry of Education.


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定價:100 2912
無庫存,下單後進貨
(到貨天數約30-45天)

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