The Aesthetics of Antifascist Film ─ Radical Projection
- 系列名:Routledge Advances in Film Studies
- ISBN13:9780415899154
- 替代書名:The Aesthetics of Antifascist Film
- 出版社:Taylor & Francis
- 作者:Jennifer Barker
- 裝訂/頁數:精裝/302頁
- 規格:22.9cm*15.9cm*1.9cm (高/寬/厚)
- 出版日:2012/10/09
商品簡介
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods.
Emerging during a critical moment in film history—1930s/1940s Hollywood— cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in emigre Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity, purity and spectacle, these antifascist films project a radical beauty of distortion, heterogeneity, fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism, the filmmakers were able to manifest a non-totalizing work of art that still had political impact.
Drawing on insights from film and cultural studies, aesthetic and ethical philosophy, and socio-political theory, this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive, radical aesthetic form that represents an alternate strand of post-modernism.
作者簡介
Jennifer Lynde Barker is an Assistant Professor of English and Film Studies at Bellarmine University, USA.
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