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Wicked Theory, Naked Practice ─ A Fred Ho Reader
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This collection brings together 23 writings, speeches, and interviews of Asian American writer, jazz saxophonist, composer, and political activist Fred Ho. Written from 1984 to 2006, the writings are on topics in music, aesthetics, and cultural production, Asian Pacific American cultural theory and criticism, politics, and questions of power, including discussions of his political and cultural development; his view of jazz as political; his thoughts on selling out, fighting oppression, and activism; his role in the Asian American Jazz Movement; and writings on subjects such as the life and music of composer Calvin Massey, the Black Arts Movement, the music of Japanese women plantation workers, and Mao Zedong. Annotation c2009 Book News, Inc., Portland, OR (booknews.com)
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Fred Ho is a composer, musician, scholar, and activist. He is the leader of the Afro Asian Music Ensemble and Monkey Orchestra. His many recordings include The Black Panther Suite. He is coeditor of Afro Asia: Revolutionary Political and Cultural Connections between African Americans and Asian Americans, Sounding Off! Music as Subversion/Resistance/Revolution, and Legacy to Liberation: Politics and Culture of Revolutionary Asian Pacific America. He was the first Asian American to receive the Duke Ellington Distinguished Artist Lifetime Achievement Award.
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