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1.Medieval English Theatre 45

作者：Sarah Carpenter(EDI) 出版社：D S BREWER 出版日：2024/06/25 裝訂：平裝

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2.Medieval English Theatre 43

作者：Meg Twycross(EDI) 出版社：D S BREWER 出版日：2022/05/06 裝訂：平裝

定價：2700 元，優惠價：1 2700

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3.Medieval English Theatre 40

作者：Sarah Carpenter (EDT); Elisabeth Dutton (EDT); Gordon Kipling Meg Twycross (EDT) 出版社：Ds Brewer 出版日：2019/04/19 裝訂：平裝

定價：2117 元，優惠價：1 2117

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4.Medieval English Theatre 44

作者：Meg Twycross(EDI) 出版社：Boydell & Brewer Inc 出版日：2023/06/13 裝訂：平裝

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5.Medieval English Theatre ― Stagecraft, Performance, Reception

作者：Sarah Carpenter (EDT); Gordon Kipling (EDT); Meg Twycross (EDT) 出版社：Ds Brewer 出版日：2018/06/15 裝訂：平裝

Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to

定價：2117 元，優惠價：1 2117

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6.The Cambridge Companion to Medieval English Theatre

作者：Richard Beadle 出版社：Cambridge Univ Pr 出版日：2008/07/14 裝訂：精裝

The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.

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7.The Cambridge Companion to Medieval English Theatre

作者：Richard Beadle 出版社：Cambridge Univ Pr 出版日：2008/07/14 裝訂：平裝

The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.

定價：1624 元，優惠價：9 1462

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8.Staging Conventions in Medieval English Theatre

作者：Philip Butterworth 出版社：Cambridge Univ Pr 出版日：2014/07/31 裝訂：精裝

How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today.

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9.Staging Conventions in Medieval English Theatre

作者：Philip Butterworth 出版社：Cambridge Univ Pr 出版日：2018/07/12 裝訂：平裝

How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today.

定價：1559 元，優惠價：9 1403

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10.Medieval English Theatre 42: Religious Drama and Community

作者：Elisabeth Dutton(EDI) 出版社：D S BREWER 出版日：2021/05/21 裝訂：平裝

定價：2700 元，優惠價：1 2700

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11.Medieval English Theatre 2016 ─ The Best Pairt of Our Play

作者：Sarah Carpenter (EDT); Pamela M. King (EDT); Meg Twycross (EDT) 出版社：Ds Brewer 出版日：2017/02/18 裝訂：平裝

Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to

定價：1958 元，優惠價：1 1958

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12.Medieval English Theatre ― The Best Pairt of Our Play

作者：John J. McGavin; Sarah Carpenter (EDT); Pamela M. King (EDT); Meg Twycross (EDT); Greg Walker (EDT) 出版社：Boydell & Brewer Inc 出版日：2015/11/19 裝訂：平裝

Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to

定價：1958 元，優惠價：1 1958

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13.The Cambridge Introduction to Early English Theatre

作者：Janette Dillon 出版社：Cambridge Univ Pr 出版日：2006/09/14 裝訂：精裝

This introduction offers an overview of early English theatre from the earliest recorded vernacular texts in the late medieval period to the closing of the theatres in 1642. Where most existing studies focus on one side or the other of an imaginary boundary between 'medieval' and 'early modern' or 'Renaissance' drama, this book examines the theatre of nearly three centuries in a way that highlights continuities as well as divisions. The study is organised into five subject-based chapters: Place and space; Actors and audiences; Writers, controllers and critics; Genre and tradition; Instruction and spectacle. It includes full chronologies, helpful text boxes and over twenty illustrations.

定價：3119 元，優惠價：9 2807

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14.The Cambridge Introduction to Early English Theatre

作者：Janette Dillon 出版社：Cambridge Univ Pr 出版日：2006/06/30 裝訂：平裝

This introduction offers an overview of early English theatre from the earliest recorded vernacular texts in the late medieval period to the closing of the theatres in 1642. Where most existing studies focus on one side or the other of an imaginary boundary between 'medieval' and 'early modern' or 'Renaissance' drama, this book examines the theatre of nearly three centuries in a way that highlights continuities as well as divisions. The study is organised into five subject-based chapters: Place and space; Actors and audiences; Writers, controllers and critics; Genre and tradition; Instruction and spectacle. It includes full chronologies, helpful text boxes and over twenty illustrations.

定價：1494 元，優惠價：9 1345

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15.The Theatre of Medieval Europe:New Research in Early Drama

作者：Eckehard Simon 出版社：Cambridge Univ Pr 出版日：2008/10/30 裝訂：平裝

The Theatre of Medieval Europe brings together the work of thirteen internationally recognized scholars of early drama to give a comprehensive account of recent findings in the field. Whilst reflecting the large body of research on English drama, the book widens the focus of its survey to represent the continental theatre of the period, with a succession of essays covering England, France, Italy, Spain, Germany, central Europe and the Low Countries. In addition, it deals with Latin musical and liturgical drama, and addresses both the archival and stage-orientated aspects of theatre research. In reviewing the field in this way, this collection not only offers an account of recent discoveries across a range of countries and types of drama, but also suggests the comparative and interdisciplinary ground on which these fields of research may increasingly come to meet and cross-fertilise one another in the future. A major feature of the book is its authoritative, chronological and fully-inde

定價：2411 元，優惠價：9 2170

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16.Shakespeare and the Theatre of Wonder

作者：T. G. Bishop 出版社：Cambridge Univ Pr 出版日：2006/12/14 裝訂：平裝

Playwrights throughout history have used the emotion of wonder to explore the relation between feeling and knowing in the theatre. In Shakespeare and the Theatre of Wonder, T. G. Bishop argues that wonder provides a turbulent space, rich at once in emotion and self-consciousness, where the nature and value of knowing is brought into question. Bishop compares the treatment of wonder in classical philosophy and drama, and goes on to examine English cycle-plays, charting wonder's ambivalent relation to dogma and sacrament in the medieval religious theatre. Through extended readings of three of Shakespeare's plays - The Comedy of Errors, Pericles and The Winter's Tale - Bishop argues that Shakespeare uses wonder as a key component of his dialectic between affirmation and critique. Wonder is shown as vital to the characteristic self-consciousness of Shakespeare's plays as acts of narrative enquiry and renovation.

定價：1949 元，優惠價：9 1754

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17.The Medieval European Stage, 500–1550

作者：William Tydeman 出版社：Cambridge Univ Pr 出版日：2001/09/27 裝訂：精裝

This volume brings together a wide selection of primary source materials from the theatrical history of the Middle Ages. The focus is on Western Europe between the fall of the Roman Empire and the emergence of markedly Renaissance forms in Italy. Early sections of the volume are devoted to the survival of Classical tradition and the development of the liturgical drama of the Roman Catholic Church, but the main concentration is on the genesis and growth of popular religious drama in the vernacular. Each of the major medieval regions is featured, while a final section covers the pastimes and customs of the people, a record of whose traditional activities often only survives in the margins of official recognition. The documents are compiled by a team of leading scholars in the field and the over 700 documents are all presented in modern English translation.

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18.Magic on the Early English Stage

作者：Philip Butterworth 出版社：Cambridge Univ Pr 出版日：2010/06/10 裝訂：平裝

Magic on the Early English Stage investigates the performance of magical tricks, illusions, effects and their staged appearance in the medieval and early English theatre. Performers who created such magic were not known as conjurors, as we might refer to them today, but as jugglers. Records concerning jugglers on the medieval stage have been hitherto misunderstood or misapplied. These references to jugglers are re-examined in the light of discussions of 'feats of activity' that also include tumbling, vaulting and 'dancing on the rope'; appearances and disappearances of the 'Now you see it, now you don't' variety; and stage versions of these concepts; magic through sound in terms of ventriloquy and sound through pipes; mechanical images and puppets; and stage tricks. Information that has remained dormant since original publication is discussed in relation to jugglers such as Thomas Brandon, the King's Juggler, and William Vincent, alias 'Hocus Pocus'.

定價：2274 元，優惠價：9 2047

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19.Magic on the Early English Stage

作者：Philip Butterworth 出版社：Cambridge Univ Pr 出版日：2005/10/06 裝訂：精裝

Magic on the Early English Stage investigates the performance of magical tricks, illusions, effects and their staged appearance in the medieval and early English theatre. Performers who created such magic were not known as conjurors, as we might refer to them today, but as jugglers. Records concerning jugglers on the medieval stage have been hitherto misunderstood or misapplied. These references to jugglers are re-examined in the light of discussions of 'feats of activity' that also include tumbling, vaulting and 'dancing on the rope'; appearances and disappearances of the 'Now you see it, now you don't' variety; and stage versions of these concepts; magic through sound in terms of ventriloquy and sound through pipes; mechanical images and puppets; and stage tricks. Information that has remained dormant since original publication is discussed in relation to jugglers such as Thomas Brandon, the King's Juggler, and William Vincent, alias 'Hocus Pocus'.

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20.Religious Conversion in Early Modern English Drama

作者：Lieke Stelling 出版社：Cambridge Univ Pr 出版日：2020/10/08 裝訂：平裝

Few subjects of the English stage have proved more alluring and enduring than religious conversion. The emergence of the Elizabethan theatre marked a profound shift in the way in which conversion was presented. If medieval drama had encouraged conversion without reservation, early Elizabethan plays started to question it. Considering over forty canonical and lesser known works, this study argues that more so than any other medium, early modern drama engaged with the question of the possibility of undergoing a radical transformation in faith and presented the period's understanding of it as fundamentally unsettled. Offering the first cross-religious exploration of conversion in early modern English drama, and presenting a new reading of William Shakespeare's tragedy Othello, Lieke Stelling reveals telling patterns in the stage's treatment of conversion and religious identity.

定價：1919 元，優惠價：9 1727

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