From My Little Pony to the Sex Pistols: An engaging exploration of why we love what we love (and hate what we hate)Celine Dion. Kanye West. Hamilton. Stranger Things. Wes Anderson. The Bachelor. Docto
This Element looks at the physiological and social roles of taste and the proximal chemical senses. First, how we perceive food and people when we contact them is discussed. These perceptions help us identify what we are eating and with whom we are present and serves as an analysis of the complex scene. Second, the influence of taste in food choice, metabolism, and nutrition is considered. Next, the impact of taste and the proximal chemical senses in social interactions is examined, including social eating. Then, the role of taste and the proximal chemical senses in emotion is explored.
Eat.Taste.Heal is a groundbreaking work within the field of holistic health and nutrition, written by a medical doctor, a patient, and an acclaimed chef. A complete guidebook and cookbook in one, Eat.
It is still widely believed that in 1798 English literature became 'romantic' overnight. This is not so, of course: the Lyrical Ballads appeared almost unnoticed, and for many more years the prevailing patterns of taste seemed hardly challenged by any innovations. Indeed it was only from the 1830s onwards that 'romanticism' became the new othrodoxy. Dr Amarasinghe's book studies the main plank in the platform of the old attitudes: respect for the poetry of Dryden and Pope and the associated values. He shows a curious process: a change from convinced or idolatrous endorsement of Augustan verse and thought, via the perception in Dryden and Pope of 'romantic' elements, to their eventual dismissal as 'classics of our prose'. Incidentally, one sees how other poets, especially the Elizabethan dramatists, were revalued in the process. This neatly conducted argument is a model survey of how changes in literary taste are brought about. This particular change, from the 'line of wit' through the
LEAVE IT TO CHANCE. Eleanor “Elle” Chance, that is—a high-flying dirigible pilot with a taste for adventure and the heroine of this edgy new series that transforms elements of urban fantasy, steampunk
LEAVE IT TO CHANCE. Eleanor “Elle” Chance, that is—a high-flying dirigible pilot with a taste for adventure and the heroine of this edgy new series that transforms elements of urban fantasy, steampunk
"Hans Makart left his mark on his age like no other artist of the nineteenth century. He became the symbol of his time, which has gone down in history as the Makart Era. summoned to Vienna by the emperor as a talented young artist, his painting were popular among the rising bourgeoisie and were ultimately regarded as the measure of social recognition and reputation. Makart's free painterly use of color and light derives from French art, especially that of Eugene Delacroix. At the same time as EdouardManet, Auguste Renoir, and Gustave Moreau he cultivated color as one of the core elements in his art. Through the accentuation of sensuality--of taste, eroticism, and a robust joie-de-vivre--he also struck the chord of decline and is thus a typical representative of the Age of Decadence. Makart was skilled in using the possibilities offered by new reproduction techniques to popularize his works and his own specific aesthetic. His images and theme became trademarks and reflections of his age
Reprinting, republishing and re-covering old books in new clothes is an established publishing practice. How are books that have fallen out of taste and favour resituated by publishers, and recognised by readers, as relevant and timely? This Element outlines three historical textures within British culture of the late 1970s and early 1980s – History, Remembrance and Heritage – that enabled Virago's reprint publishing to become a commercial and cultural success. With detailed archival case studies of the Virago Reprint Library, Testament of Youth and the Virago Modern Classics, it elaborates how reprints were profitable for the publisher and moved Virago's books - and the Virago brand name - from the periphery of culture to the centre. Throughout Virago's reprint publishing - and especially with the Modern Classics - the epistemic revelation that women writers were forgotten and could, therefore, be rediscovered, was repeated, again and again, and made culturally productive through the
Have you ever wondered why your dad snores? And why do some things taste good and some bad? Full of pop-ups and interactive elements, this book is all to do with the everyday science that surrounds us
Whereas Dr Burney's writings are often mentioned in studies on eighteenth-century music, not much interest seems to have been given specifically to his relation to the organ, which played an important part in his professional career as a practising musician. No better introduction to the aesthetic ethos of the eighteenth-century English organ can be found than in Burney's remarks disseminated in his various writings. Taken together, they construct a coherent discourse on taste and constitute an aesthetic. Burney's view of the organ is indicative of a broader ethos of moderation that permeates his whole work, and is at one with the dominant moral philosophy of Georgian England. This conception is ripe with patriotic undertones, while it also articulates a constant plea for politeness as a condition for harmonious social interaction. He believed that moderation, simplicity, and fancy were the constituents of good taste as well as good manners.
