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This edited monograph contains a comprehensive overview of educational developments in the fields of operations research (OR) and management science (MS). The book outlines key factors in OR/MS curric

In The Sons of God in Genesis 6:1–4, Jaap Doedens offers an overview of the history of exegesis of the enigmatic biblical text about the ‘sons of God’, the ‘daughters of men’, and the ‘giants’.

In Wise and Foolish Love in the Song of Songs, J.L. Andruska demonstrates that the Song has combined elements of the ancient Near Eastern love song and wisdom genres to produce a wisdom literature abo

In Where is God in the Megilloth? Brittany Melton constructs a dialogue among Ruth, Esther, Lamentations, Ecclesiastes, and Song of Songs on this question, in order to ascertain how God might be prese

In a broad sense, neuropsychology stands for the branch of brain sciences that aims to understand how the structure and function of the brain relate to specific cognitive and psychological processes.

applies a historical approach of the Semitic languages and literature to Mesopotamian and Biblical Law, the history, grammar and teaching of Hebrew and Aramaic, and the translation and interpretation

A guidebook of hikes in the beautiful Haute Savoie mountains of France. The 30 circular routes of between 7 and 20km are based around Annecy, La Clusaz, Grand Bornand, Plateau d-Assy, Samoëns, Sixt, S

The stage works of Saint-Saëns range from grand open-air pageants to one-act comic operas, and include the first composed film score. Yet, with the exception of Samson et Dalila, his twelve operas have lain in the shadows since the composer's death in 1921. Widely performed in his lifetime, they vanished from the repertory - never played, never recorded - until now. With four twenty-first-century revivals as a backdrop, this timely book is the first study of Saint-Saëns's operas, demonstrating the presence of the same breadth and versatility as in his better known works. Hugh Macdonald's wide knowledge of French music in the nineteenth century gives a powerful understanding of the different conventions and expectations that governed French opera at the time. The interaction of Saint-Saëns with his contemporaries is a colourful and important part of the story.