商品簡介
作者簡介
Haris Vlavianos (Greece 希臘)
Haris Vlavianos , born in Rome in 1957, is a prolific poet, translator and scholar. He studied Economics and Philosophy at the University of Bristol (B.Sc) and Politics, History and International Relations (M.Phil, D.Phil) at the University of Oxford (Trinity College). He has published twelve collections of poetry, including Vacation in Reality (2009), which won the prestigious “Diavazo” Poetry Prize and was short-listed for National Poetry Prize, and Sonnets of Despair (2011) which was also short-listed for the National Poetry Prize. For his contribution in promoting Italian literature and culture in Greece, the President of the Italian Republic bestowed upon him in February 2005 the title of “Cavaliere”, while the Dante Society of Italy awarded him the “Dante Prize” for his publications on the Divine Comedy.
目次
秋歌 8
Autumnal Refrain
帕斯卡爾的遺囑 14
Pascal’s Will
誰？ 23
Who?
溫暖的記憶 30
Temperate Memory
八月的信仰 36
August Meditations
面紗 45
The Veil
另一種詩意風格的詩（變奏） 50
Poem of Another Poetics [Variation]
失眠旅店 56
Hotel Insomnia
書摘/試閱
另一種詩意風格的詩（變奏）
擬華萊士‧史蒂文斯
I
清水在閃閃發光的花瓶裹。
黃玫瑰和紅玫瑰。
房中白光如雪。
雪，新鮮的（冬季的尾聲）
輕柔墜落在虛構的風景裹。
下午數度歸來，悄無聲息，
沒有秘密，沒有焦躁的面孔。
圓形花瓶。
彩繪玫瑰瓷器。
黃與紅。
水──沉靜的虛空。
II
而這水，
雪，
差不多足以構成
一種新的白
──比花的意義更為必要
綻放在冷冽的幸福回憶裏。
（你出神的視線
證明，想像可以
一遍又一遍袒露記憶）。
III
大腦請求逃離。
思維
（某種轉移的可能）
已經力竭。
玫瑰，花瓶，未曾存在，
此時亦不存在。
而這些詞
繼續墜落──
真實生活的雪花
落在詩的空白處。
Poem of Another Poetics [Variation]
Following Wallace Stevens
I
Crystal-clear water in a glistening vase.
Yellow and red roses.
White light in the room, like snow.
Fresh snow (it’s the end of winter)
softly falling on the invented place.
The afternoons are returning without sounds,
without secrets, without impatient faces
Round vase.
Porcelain painted with roses.
Yellow and red.
The water—unruffled emptiness.
II
And still the water,
the snow,
once were enough to compose
a new whiteness
—more necessary than the meaning of flowers
blooming inside the cool memory of happiness.
(Your ecstatic gaze
confirms that imagination
can lay bare the memory again and again).
III
The mind seeks to escape.
This thought
(the possibility of the specific metaphor)
has been exhausted.
The roses, the vase, did not exist.
They do not exist.
The words however
keep fa11ing－
snowflakes of a real life
in the margins of the poem.
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