中國人的思維（簡體書）

《Chinese Way of Thinking(中國人的思維)》講述了：When t was a guest speaker in Germany in 1992, I said to the audiencethat the intercultural communication between East and West is notproportionately at the same level. For a Chinese professor or universitystudent in general can provide a name list of more than a hundred well-known figures in the Western history. Then, how many of the Chinesecounterparts from antiquity to the present could a German professor oruniversity student at large possibly know？ No more than a dozen, I guess.There are of course exceptions among the faculty members and students inthe departments of Sinology who surely know more. How come it is so？ Inmy opinion, it is mainly due to the fact that China has been in a passiveposition or ""under attack"" since the advent of the modern era, thus bearinga kind of eagerness to look into and learn from the West. In contrast, theWest has been in an active position, having far less need to know Chinabecause her existence would matter little to the Western mentality in thepast century or so. Such a situation corresponds more or less to that in the18th century when China assumed herself to be the center of the world andfelt no need to take any look at the West.

作者姓名：王柯平 相關作品：《中國人的思維》《藝術的真諦》《西方美學史：第三卷：十九世紀美學》《老子思想新釋》《道德經》《中國詩學的精神》《美學與文化·東方與西方》《美學導論》《跨世紀的論辯：實踐美學的反思與展望》《《理想國》的詩學研究》《中國人的生存智慧》《旅游美學新編》《美國藝術教育新臺階》《美之旅》《美育的游戲》《旅游美學》《美之旅》《中國文化的精神 [英文本]》 作者簡介： 王柯平，陜西長安人，博士，教授，牛津大學圣安妮學院訪問研究員(2000年)。主要論著有《走向跨文化美學》、《中西審美文化隨筆》、《老于思想新釋》 (英文)與《中國人生哲學》(英文)等。主要譯著有《美學理論》、《藝術哲學新論》與《藝術的真諦》等。應國外學者之邀參與撰寫英文著作《中國當代哲學》、《重新發現幸福》、《神話與邏各斯》、《跨文化美學新論》等。

PrefaceLi Zehou
Acknowledgements
Introduction
Section I Nature and Human Existence
1 A Rediscovery of Heaven-and-Human Oneness
The Three-fold Significance
The Two-dimensional Orientation
A Pragmatic Alternative

2 Laozi on the Dao of Human Existence
Frame of Reference: The Dao of Man, Heaven and the Sage
PursuiL of Sageliness: Practical and Sagely Wisdom
Path to Freedom: Attitudes toward Life and Death

3 Zhuangzi''s Way of Thinking through Fables
The Peng and Happy Excursion to the Infinite
The Butterfly and Self-emancipation

4 Poetic Wisdom in Zen Enlightenment
Revelations from Natural Scenes
Natural Spontaneity as a Psychical Path
A Poetic Way of Zen Enlightenment
The Realm of SEInyat~ as Beauty
Section II Harmony, Governance, and Warfare

5 Harmonization without Being Patternized
The Meeting of East and West as a Good-natured Hypothesis
Harmony and Uniformity in PerspectiveThe Need of a New PhitosoplTos Poiesis

6 Humane Governance and Pragmatic Reasori
Rule of Law as the Fundamental Basis
Wise Leadership of Crucial Necessity
The Pragmatic Reason in Question

7 No More Hiroshimas and Sharp Weapons
A Poetic Reflection after Hiroshima
A Philosophical Pondering over Sharp Weapons
Section III Morality, Art, and Aesthetics

8 Confucius'' Expectation of Poetry
Poetry as a Social Discourse Sui Generis
Poetry as an Aesthetic Discourse Sui Generis
Poetry as a Moral Discourse Sui Generis

9 Aesthetic Criticism of Transculturality
Beyond East and West: A Transcultural Transformation
Aesthetic Education as a Critical Necessity （Meiyu Shuo）
Art as a Refuge from Suffering （Jietuo Shuo）
Art as Aesthetic Play for Freedom （ Youxi Shuo）
The Artist as Creative Genius （ Tiancai Shuo）
The Refined as the Second Form （Guya Shuo）
The Theory of Poetic State par Excellence （ Jing]ie Shuo ）

10 The Theory of Art as Sedimentation
Art as Sedimentation
A Critical Consideration
A Methodological Reflection

11 Appreciating Nature in View of Practical Aesthetics
Three Levels of Aesthetic Experience
Aesthetic Effects of Heaven-and-Human Oneness
Selected Bibliography
Glossary